Tripticks Tapes
American independent record label From Wikipedia, the free encyclopedia
Tripticks Tapes is an American independent record label specializing in cassette tape and digital releases of experimental and improvised music.[1][2]
| Tripticks Tapes | |
|---|---|
| Founded | 2020 |
| Founder | Nat Baldwin |
| Genre | |
| Location | Massachusetts |
| Official website | triptickstapes |
History
Nat Baldwin founded Tripticks Tapes in 2020.[1] Tripticks releases have been named among the best in music by publications including The Wire,[3] Bandcamp Daily,[4] Burning Ambulance,[5] The Road to Sound,[6] and Tabs Out,[7] with notable artists including Weston Olencki, Nick Dunston, Amirtha Kidambi and Luke Stewart, Webb Crawford, Patrick Shiroishi, Travis Laplante and Jason Nazary, Beam Splitter, and Phicus.
Discography
| Cat.# | Artist | Title | Year |
|---|---|---|---|
| TTT001 | Nat Baldwin | Autonomia III: Endnotes | 2020 |
| TTT002 | Patrick Shiroishi | Resting In The Heart Of Green Shade[8] | 2021 |
| TTT003 | Phicus (Fages, Reviriego, Trilla) | Liquid[9][10] | 2021 |
| TTT004 | Fraser / McCowen / Weinberg | Thip[11] | 2021 |
| TTT005 | Graham / Hobbs / Nakatani / Shen | Scar's The Limit[12] | 2021 |
| TTT006 | The Pitch | KM28[13] | 2021 |
| TTT007 | Àlex Reviriego | Raben[14] | 2021 |
| TTT008 | fluke-mogul / Liberatore / Mattrey / Mendoza | Death In the Gilded Age[15] | 2021 |
| TTT009 | Laplante / Nazary | Tunnel of Light[16] | 2021 |
| TTT010 | Luke Stewart | Works For Electric Bass Guitar[17] | 2021 |
| TTT011 | TAK / Brandon Lopez | Empty And/Or Church Of Plenty[6] | 2021 |
| TTT012 | Steve Long | Code-Talker[18] | 2021 |
| TTT013 | Cecilia Lopez & Joe Moffett | Caprichos[19] | 2021 |
| TTT014 | The Relatives | The Relatives | 2022 |
| TTT015 | Ted Reichman | Dread Sea[1] | 2022 |
| TTT016 | L'Ocell & Ferran Fages | El Declivi[1] | 2022 |
| TTT017 | Weston Olencki | Old Time Music[20] | 2022 |
| TTT018 | Nat Baldwin | Red Barn | 2022 |
| TTT019 | Wallace / Lopez / Foster / Ali | The Inflatable Leviathan[21] | 2022 |
| TTT020 | Amirtha Kidambi & Luke Stewart | Zenith/Nadir[1] | 2022 |
| TTT021 | Matteo Liberatore | Lacquer | 2022 |
| TTT022 | Irarrázabal & Baldwin | Grips[22][23] | 2022 |
| TTT023 | Webb Crawford | Joiners[24] | 2022 |
| TTT024 | García / Navas / Reviriego / Trilla | Les Capelles[25] | 2022 |
| TTT025 | Kyle Motl & Carlos Dominguez | Field of Fried Umbrellas[26] | 2022 |
| TTT026 | Tomomi Kubo & Camila Nebbia | Polycephaly[5] | 2022 |
| TTT027 | Fraser / Ángeles / Nazary | Aqrabuamelu | 2022 |
| TTT028 | Leo Chang & Lucie Vítková | Religion[1] | 2022 |
| TTT029 | Beeferman / Evans / Foster / Hirsch | Glow | 2023 |
| TTT030 | Polyorchard | scree/n | 2023 |
| TTT031 | Ilia Belorukov & Gabriel Ferrandini | Sculptor | 2023 |
| TTT032 | Evan Lindorff-Ellery | Swollen Air | 2023 |
| TTT033 | Playbackers | Playbackers Record[27] | 2023 |
| TTT034 | Beam Splitter | Split Jaw[28] | 2023 |
| TTT035 | Müller / Doskocz / Gordoa | Aural Accidents[7] | 2023 |
| TTT036 | Dominic Coles | Alphabets | 2023 |
| TTT037 | Carlo Costa & John McCowen | Pianissimo Etc[7] | 2023 |
| TTT038 | Nick Dunston | Skultura[3][29] | 2023 |
| TTT039 | Daniel Fishkin | Dark Listening[7] | 2023 |
| TTT040 | Hollow Deck | Over East | 2023 |
| TTT041 | Phicus | Ni | 2023 |
References
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