Top Qs
Timeline
Chat
Perspective
Universal Monsters
Horror and science fiction franchise From Wikipedia, the free encyclopedia
Remove ads
The Universal Monsters (also known as Universal Classic Monsters and Universal Studios Monsters) is a media franchise comprising various horror film series distributed by Universal Pictures. It consists of different horror creature characters originating from various novels, such as Dr. Jekyll / Mr. Hyde, the Phantom of the Opera, Count Dracula, Frankenstein's monster, the Mummy, and the Invisible Man, as well as original characters the Wolf Man and the Creature from the Black Lagoon.
 |
Remove ads
The original series began with Dr. Jekyll and Mr. Hyde (1913) and ended with The Creature Walks Among Us (1956). While the early installments were initially created as stand-alone films based on published novels, their financial and critical success resulted in various cross-over releases between the monsters, as well as other properties such as Abbott and Costello. Following the positive response to various viewings of these films via television redistribution which began airing in the 1950s, the studio began developing the characters for other media. In the 1990s, it became priority for Universal to promote their catalogue with official packaging that presented films with the official franchise title. Through a number of VHS editions, their popularity continued into contemporary entertainment. This included additional development through modern-filmmaking adaptations, beginning with Dracula (1979) and most recently Wolf Man (2025).
Modern analyses describe the titular characters as "pop culture icons",[1] while the franchise as a whole is often cited as the prototypical example of the shared universe concept in film.[2][3][4] In addition to the films, the franchise has expanded to include novels, comics, and theme park rides.
Remove ads
History
Summarize
Perspective
Universal's early horror films were adaptations of work from familiar authors and texts to give their films a prestige appeal. These included Dracula (1931), whose success led to the production of other works such as Frankenstein (1931).[5][6] Frankenstein's ending was changed by studio head Carl Laemmle Jr., who wanted Universal to be able deploy key characters from the film into subsequent Universal productions.[6] Following the release of other Universal films such as The Mummy (1932), The Invisible Man (1933) and Bride of Frankenstein (1935), there was a dry spell of horror films.[7][8][9][10] Universal only returned to the style following a successful theatrical re-release of Dracula and Frankenstein. The renewed interest in horror films led to new works, starting with Son of Frankenstein (1939).[7][8][9]
Universal would only introduce a few new monsters in the 1940s, with the most famous being Lon Chaney Jr. as The Wolf Man in The Wolf Man (1941).[11] The decade had Universal's horror output include many remakes and sequels, with films often directly reusing old sets, footage, and narratives to replicate moments in their earlier horror productions.[12]
Universal's first transmedia properties appeared in the 1940s and the 1950s with the films Frankenstein Meets the Wolf Man (1943), House of Frankenstein (1944), House of Dracula (1945) and Abbott and Costello Meet Frankenstein (1948).[13] In these films, the monsters from the studio's earlier films "team up" against various characters. Author Megan De Bruin-Molé suggested that the Universal Classic Monsters films exist as a loose mash-up, which allowed for Dracula to exist and be watched separately from Frankenstein but allowed their characters to be systemically and consistently brought together and developed in other films and media.[14] These productions made were often crossovers and sequels, such as Frankenstein Meets the Wolf Man, House of Frankenstein, House of Dracula and several occurrences in comedy films of Abbott and Costello meeting the monsters. These meetings started with Abbott and Costello Meet Frankenstein and ended with Abbott and Costello Meet the Mummy (1955).[14][15] De Bruin-Molé wrote that this approach from Universal was for commercial marketing terms, as it would establish the company as the "real" home of horror. Their films contained a world where potentially all monsters may dwell.[16] The sole new monster films that Universal produced in the 1950s were the Creature from the Black Lagoon (1954) and The Mummy (1959), the latter as a co-production with the British Hammer Film Productions.[17]
Towards the 1960s, the Universal monsters grew beyond film and became more consistently transmedial. Initially, this began in 1957 when Universal struck a ten-year television deal with Screen Gems to distribute 52 of their own titles.[17] These television screenings and the films being included on Mel Jass' Mel's Matinee Movie (1958-1979) would also prove to be popular. Stephen Sommers, director of The Mummy (1999), stated that his introduction to the series was on Jass's program.[18] Universal became part of the Music Corporation of America (MCA) in 1962. By 1964, Universal Studios tours would eventually include appearances from Frankenstein's monster.[19] Several products based on the characters from Universal's film series were released, ranging from plastic model kits, Halloween masks, figures, plush dolls, toys, drinking glasses, coloring books and postage stamps. While some of these objects bear similarity to the actors who portray them, others are more generic interpretations.[20] Other mediums featured the Universal monsters in tandem, such as Bobby "Boris" Pickett's 1962 popular song "Monster Mash" and the television series The Munsters (1964) which was based on the likeness of the Universal characters.[19]
In 1990, Universal was part of a merger between Matsushita, now known as Panasonic, and several other corporations. Between 1991 and 1994, Universal released VHS home video editions from their catalogue of horror films. This was the first time these films were packed together as the "Classic Monster" line, accompanied with a newly designed logo.[19] Prior to this home video series, the Universal films that featured multiple monsters were called "Super-Shocker[s]" or "monster rallies".[21] Louis Feol, the head of Worldwide Home Video for Universal Studios, said that the most important thing was the packaging of their sales. He added that it was "probably our single biggest priority and has been for a number of years", and that it was key to make the series of films "look like a line".[22][23] In a 1999 interview, Feol stated that creating the series was to "reinvigorate and re-market" the Universal catalog, specifically with their series of Dracula, Frankenstein, The Invisible Man, The Phantom of the Opera, The Wolf Man, and The Mummy.[23]
The 1990s also saw a trend in the merchandising of Universal Monsters material as part of a trend for the decade of recycling and reinventing old material from the past.[19] This led to the release of Stephen Sommer's The Mummy (1999) and a "monster rally"-styled film with Van Helsing (2004).[24] Merchandizing of the characters in formats such as clothing and board games has continued into the 21st century.[25][26] The franchise is featured in the Dark Universe portion of Universal Orlando theme park, Universal Epic Universe, which opened on May 22, 2025.[27]
Remove ads
Films
Summarize
Perspective
Classic era (1913–1956)
Remakes and spin-off (1979–2010)
Modern era
Beginning in October 2013, Universal hired Roberto Orci and Alex Kurtzman to collaborate in developing a relaunch of the Universal Monsters characters as a new shared universe of films similar in fashion to the Marvel Cinematic Universe, notably a franchise which includes interconnectivity that originated previously in the classic Universal Monsters films.[116][117][better source needed] By July 2014, the studio officially hired Chris Morgan to replace Orci and work alongside Kurtzman in overseeing development of an interconnected series of films based around rebooted versions of the Universal Monster characters. The duo was tasked with creating the overall outline for the titular monsters.[118] The development of a cinematic universe continued as Kurtzman and Morgan became involved with additional photography for Dracula Untold (2014); reshoots positioned the final scenes of the film in modern-day, in order to connect with other films and to allow the cast to reprise their roles in future installments.[119] The film's connections to the new franchise were later downplayed following its mixed critical and financial reception,[120][better source needed][121] with The Mummy (2017) repositioned as the official start of the shared film universe.[122] In May 2017, the slate of reimagined incarnations of titular monsters was officially titled Dark Universe. The studio announced the franchise with a press release, which debuted the official logo, website, trailer, and score.[123] Universal Pictures, in collaboration with Kurtzman and Morgan, created a writer's room consisting of various contributors to create stories that were to be expanded into scripts,[124] which were intended to be rooted in horror as opposed to the action adventure nature of the studio's previous remakes.[125][better source needed][126][better source needed] The Mummy introduced its ancient titular monster (played by Sofia Boutella), alongside the heroic character portrayed by Tom Cruise whose adventures as a monster were intended to expand upon in later installments.[127][128] Prior to the film's release, additional cast officially joined the franchise as announced by Universal Pictures.[129][better source needed][130] The studio revealed a slate of films,[131][132] but following the poor critical reception and underwhelming box office performance of The Mummy (2017), Universal cancelled pre-production that had begun on Bride of Frankenstein which was to be the next film in the franchise, and postponed all plans for the Dark Universe slate of films.[133]
In January 2018, the production studio began reconfiguring their approach to the Universal Monsters,[134][135] and following the departures of Kurtzman and Morgan from their roles as co-architects of the franchise,[133] the studio decided to abandon a shared cinematic universe in favor of returning to standalone adaptations of the characters instead.[136][137] After previously expressing interest in working with Universal Pictures on relaunching the characters for modern audiences,[138][139][140] Jason Blum officially signed on to collaborate on a number of the projects in development. The producer later stated in 2020 that control of the Dark Universe and the Universal Monsters remains under the direction of Universal Pictures.[141]
Potential projects
- Dark Army: By September 2019, the film featuring monsters from the original films as well as new characters was in development. Paul Feig was attached as director, from a script of his own, and as co-producer with Laura Fischer. The project is a joint production between Universal Pictures and Feigco Productions.[148] By October, Universal was reviewing his script as a reworking of the Dark Universe concept, while The Bride of Frankenstein is cited as a major influence.[149] By February 2020, Feig was working on a second draft of the script upon receiving input from Universal Pictures.[150] By that May, the filmmaker completed the newest draft while describing the tone as closer to the original films with horror elements, but a portrayal of the monsters as rejects.[151] Feig had been given the option to develop films of any characters from the roster of monsters owned by Universal Pictures, prior to his chosen project.[152][153]
- Frankenstein: Originally announced in June 2017, the project was initially planned as a part of the abandoned shared universe films with Javier Bardem cast to portray the titular character, and following the studio's standalone approach James Wan signed on as producer in November 2019.[154] Jason Blum expressed interest in joining the production in a producing role.[155] Robbie Thompson was hired as screenwriter in 2020, while the plot is said to center around a group of teenagers who discover that a neighbor is creating a monster in their basement. The project is a joint production between Universal Pictures and Atomic Monster.[156]
- The Invisible Woman: In November 2019, a reboot of The Invisible Woman was revealed to be in development. Elizabeth Banks was attached to star in, and direct the film, from a script written by Erin Cressida Wilson which was based on an original story written by Banks, also serving as a producer with Max Handelman.[157] Banks was given options to develop a film from any characters in the roster of monsters owned by Universal Pictures, while she chose the Invisible Woman.[152][153]
- Monster Mash: In February 2020, a musical titled after and centered around the novelty song "Monster Mash" was revealed to be in development. Grammy Award nominee Matt Stawski was hired as a director, with Will Widger as screenwriter (from an original story written by Stawski), while Marty Bowen was put as producer. The project is a joint-venture production between Universal Pictures and Temple Hill Entertainment.[158]
- Untitled Dracula film: In February 2021, Chloé Zhao was hired to write and direct a separate futuristic sci-fi Western film centered around Dracula.[159] The filmmaker stated that she was continuing to work on the script in March of 2023.[160]
- Little Monsters: In July 2020, Josh Cooley was hired as both writer and director, with a story centering around the characters from the Universal Monsters, inspired and based on drawings of the monster characters made by Crash McCreery who will be given an executive producer credit. The project is intended to serve as a "love letter to classic Hollywood and the history of film-making with a story that takes a multi-generational approach to the monsters and a more PG-rated, lighthearted family-friendly tone in the tradition of the classic '80s Spielberg films from Amblin Entertainment to match as well". The film is said to be a live-action/CGI hybrid, with Todd Lieberman and David Hoberman attached as producers. The project is a joint production between Universal Pictures and Mandeville Films.[161]
- Untitled Invisible Man sequel: In February 2020, Leigh Whannell stated that though The Invisible Man (2020) was developed as a standalone film, he considered to make a follow-up to this film.[162] Whannell was working on writing the story that July.[163][161] By April 2024, Elisabeth Moss began working with Blumhouse through her production company Love & Squalor Pictures to develop a sequel.[164][165] In January 2025, Whannell said that he will not be involved with a sequel, while expressing being content with the first film's story.[166]
- Bride of Frankenstein: Initially planned as a part of the abandoned shared universe films,[167] the studio continued development after shelving all projects associated with the Dark Universe.[131] In February 2020, Universal hired Amy Pascal as producer on a new standalone adaptation of the character where the producer discussed rehiring David Koepp who had worked on the previous drafts of the script. After initially discussing the project with Sam Raimi who passed on the opportunity, Pascal began working on the film with John Krasinski. The project is intended to be a joint-venture production between Universal Pictures, Pascal Pictures, and Sunday Night Productions.[168]
- Untitled Scorpion King reboot: A reboot of The Scorpion King film series was in development since November 2020. Jonathan Herman was hired as screenwriter, with the plot taking place during modern-day and involving a contemporary adaptation of Mathayus of Akkad / Scorpion King. Dwayne Johnson, who started his acting career as the titular role in The Mummy Returns, was attached as producer alongside Dany Garcia and Hiram Garcia. The project is a joint-venture production between Universal Pictures and Seven Bucks Productions.[169]
- Untitled film: An untitled project was announced in November 2020, with Channing Tatum tentatively attached to star. Wes Tooke was hired as a screenwriter, from a story written by Reid Carolin, while Phil Lord and Christopher Miller were attached as producers alongside Tatum, Carolin, Peter Kiernan, and Aditya Sood. The plot is described as "a modern-day, tongue-in-cheek thriller", while being "a bold genre reinvention of one of the studio's most beloved characters from the Monsters Universe". The project is a joint-venture production between Universal Pictures, Lord Miller Productions, and Free Association Productions.[170]
- Van Helsing: Originally announced in 2015, the project was originally planned as a part of the abandoned shared universe films,[171] though the project had re-entered development in December 2020. Julius Avery was hired to direct, from a script based on a previous draft by Eric Pearson. James Wan was set to produce, with the project intended to be a joint-production between Universal Pictures and Atomic Monster.[172]
- Phantom: After previously attempting an adaptation that was planned as a part of the abandoned shared universe films, Universal purchased a speculative screenplay in December 2021, written by John Fusco which functions as a modern-day reboot of The Phantom of the Opera. The writer authored the script while working on his own record albums while in self-isolation during the COVID-19 pandemic. Fusco determined to write a script that would be a musical, and be set in the French Quarter, Vieux Carré area of New Orleans in the United States. Incorporating aspects of rhythm and blues, jazz, neo-soul, and funk, the story is said to utilize French Creole nightlife culture of the geographical area, including voodoo and Mardi Gras, as well as the romance and mystery aspects of the original film. Harvey Mason Jr., John Legend, and Mike Jackson signed onto the project as producers, with the project being a joint-venture production between Universal Pictures, Harvey Mason Media, and Get Lifted Film Co. in a collaborative effort.[173]
- The Creature from the Black Lagoon: Universal attempted various incarnations of producing a remake centered around the titular Gill-man throughout a number of decades (beginning as early as 1982), with various filmmakers attached at different times including: John Landis,[174] John Carpenter,[175] Peter Jackson,[176] Ivan Reitman,[177] Guillermo del Toro,[178] and Breck Eisner.[179] Some time in 2004, James Gunn pitched an adaptation of the character but the studio passed on adapting the script,[180] while del Toro later repurposed his material for another unrelated project.[181] Beginning in June 2017, the project was planned as a part of the abandoned shared universe films.[131][132] By August 2024, the modern-day adaption was once again in development and James Wan was hired as producer in addition to being in early discussions to serve as director.[182] By September, Sean Tretta was hired to write the script, which is based on an original story co-authored by Wan, Rafael Jordan, and Bryan Coyne. The project is a joint-venture production between Universal Pictures, and the newly-merged Atomic Monster and Blumhouse Productions.[183]
Cancelled and repurposed projects
- Dark Universe: In development as early as October 2013, the series of films was intended to relaunch the Universal Monsters characters, through a format similar to the Marvel Cinematic Universe and DC Extended Universe.[116][117][184][better source needed] The projects were officially announced in July 2014, as Universal hired Chris Morgan and Alex Kurtzman to oversee the development of the rebooted modern-day versions of the Universal Monsters,[118] with the duo's first involvements beginning with additional photography scenes filmed for Dracula Untold (2014) which positioned the characters of the film in modern-day.[119] After the film underperformed its connections to the Dark Universe were downplayed,[121] with The Mummy (2017) repositioned as the official start of the new film series.[122] In May 2017, the slate of reimagined incarnations of titular monsters was officially titled, by the studio through a press conference including official logo, website, trailer video, and scored theme music composed by Danny Elfman.[123] Universal Pictures worked with Kurtzman and Morgan to create a writer's room of various contributors to create stories that were to be expanded into scripts,[124] where the films were intended to have horror as their primary genre, as opposed to the action adventure nature of the studio's previous remakes.[125][126] The Mummy introduced its ancient titular monster (played by Sofia Boutella), alongside the heroic character-turned monster portrayed by Tom Cruise whose monstrous origins depicted in the film were intended to be expanded upon in later installments.[127] Prior to the film's release, Universal Pictures announced the additional main cast of additional characters for the intended series alongside Cruise, including Russell Crowe as Dr. Henry Jekyll / Mr. Edward Hyde, Johnny Depp as Dr. Griffin / the Invisible Man, and Javier Bardem as the Frankenstein Monster.[129] Following poor critical reception and an underwhelming box office performance of The Mummy (2017), Universal postponed all plans for the Dark Universe slate of films.[185] In January 2018, the production studio began reconfiguring their approach to the Universal Monsters,[134][135] and following the departures of Kurtzman and Morgan from their roles as co-architects of the franchise,[185] the studio abandoned the planned shared cinematic universe in favor of individualized standalone adaptations of the monsters.[136][137] Years later, Universal revived the "Dark Universe" brand name for a Universal Monsters–themed land at its new Universal Epic Universe park at Universal Orlando.[186] The studio had revealed an official slate of films including:[131][132]
- Frankenstein:[131][185] Javier Bardem was cast in the role of Frankenstein's Monster in May 2017, while the character was intended to initially debut in Bride of Frankenstein before starring in his own film.[187][188]
- Wolf Man:[131][31][better source needed][185] With a script developed by Aaron Guzikowski,[189][190] the studio had been interested in casting Dwayne Johnson in the titular role.[191][31]
- Bride of Frankenstein:[131][185] The project was announced in May 2017, and was intended to be directed by Bill Condon with a script written by David Koepp,[167] with a February 14, 2019 release date.[192] Angelina Jolie was in negotiations with the studio to star in the lead role,[193][194] before the film was delayed and removed from its scheduled release in October.[195]
- Dracula:[131][31] By June 2017, a feature film titled and centered around the titular vampire was planned as a part of the Dark Universe franchise.[185]
- Creature from the Black Lagoon: A feature film centered around the character was initially in development as a part of the planned slate of films.[131] Will Beall was hired to write the script,[196][185] while the studio considered Scarlett Johansson for a role in the film.[197][198][31]
- The Invisible Man:[131][185] Announced initially in February 2016 with Ed Solomon writing the script, Johnny Depp was cast to star in the lead role.[199]
- Phantom of the Opera:[131][31] By June 2017, a feature film centered around the titular character was planned as a part of the Dark Universe franchise.[185][200]
- Hunchback of Notre Dame:[131][31][better source needed] Alex Kurtzman announced developments for a Dark Universe film centered around the titular monster in June 2017.[185]
- Van Helsing:[131][185] Development began on the project as early as June 2012,[201] when Alex Kurtzman worked on the first draft of script,[202] taking inspiration from The Dark Knight as an influence.[201] By July 2016, Eric Heisserer and Jon Spaihts were hired to collaborate on a new draft of the script, where the co-authors looked towards the lead character of the Mad Max franchise for further inspiration.[203] The studio had been courting Channing Tatum to star in the lead role, after Tom Cruise had initially been considered to play the character prior to being cast his starring role in The Mummy (2017) instead.[194][31]
- Dr. Jekyll and Mr. Hyde:[131][31] In June 2017, Alex Kurtzman confirmed plans for a feature film centered around the titular character.[185]
- Untitled Mina Harker film: By March 2020, Karyn Kusama was hired to direct a film centered around Dracula, from a script co-written by Matt Manfredi and Phil Hay. The project was to be a joint-venture production, with Blumhouse Productions serving as the production studio.[204][205] The film has been described to be a "faithful adaptation" of Bram Stoker's Dracula, including a plot told from multiple perspectives.[206] The film was intended to take place in modern-day Los Angeles with the working title Mina Harker. Jasmine Cephas Jones was cast to play Mina Harker while Dracula would have used the alias of Vladimir, but in April 2022, three weeks prior to its principal photography start date, the project was cancelled by the associated studios due to creative differences with Kusama. At the time that it was shelved, Miramax had been intended to be one of the associated production studios.[207]
Remove ads
Main cast and characters
Summarize
Perspective
This table includes the Universal Monster characters and their respective actors for each film in the franchise. Additional characters include recurring primary characters of the Universal Studios Monsters franchise.
 | This section needs additional citations for verification. (November 2024) |
Remove ads
Television
Summarize
Perspective
Monster Force (1994)
Created by comic book author and artist Marv Wolfman, in collaboration with Universal Cartoon Studios, the show was developed to reintroduce the Universal Monsters to child audiences. The plot centers around a group of college-age students and their professor Dr. Reed Crawley to form a squad call the Monster Force, who through the use of some supernatural skills and technological weaponry must combat Dracula and his army called the Creatures of the Night. The series aired through broadcast syndication from April to July 1994. With mild viewership, the show was canceled after its first season.[212][better source needed][213]
The Mummy: The Animated Series (2001–2003)
Created by Stephen Sommers in collaboration with Thomas Pugsley and Greg Klein, the show is an animated adaptation of the film series which had starred Brendan Fraser. The television show centers around Imhotep / The Mummy, while following the adventures of Rick O'Connell and his family. Featuring the voices of Jim Cummings, John Schneider, Chris Marquette, Grey DeLisle, and an ensemble of supporting cast, the show was marketed towards younger audiences through Universal Cartoon Studios. Airing on The WB through the Kids' WB! programming block from September 2001 to June 2003, the show received critical acclaim while some critics called the release superior to the feature-length sequels to the live-action 1999 film.[212][better source needed][214][215]
Remove ads
Direct-to-video films
Following the financial successes of The Mummy Returns (2001) and its prequel The Scorpion King (2002), a series of Scorpion King films were produced and distributed straight-to-home video through Universal Pictures Home Entertainment.
Remove ads
Short films
Summarize
Perspective
Abbott and Costello Meet the Creature from the Black Lagoon (1954)
Developed in collaboration with Colgate-Palmolive-Peet, the short was released during The Colgate Comedy Hour as a live-television comedy sketch created to introduce audiences to The Creature from the Black Lagoon. Continuing the trend with previous installments where Bud Abbott and Lou Costello meet the Universal Monsters, the short follows a plot where the two actors explore the studio's prop room which references some of their previous interactions with the various characters, while encountering the Invisible Man, Frankenstein's Monster (Glenn Strange), and the Gill-Man (Ben Chapman).[216][217][218]
Van Helsing: The London Assignment (2004)
Developed as an anime-styled prologue to the 2004 feature-length film, the short was directed by Sharon Bridgeman from a script written by Garfield and Judith Reeves-Stevens. The plot takes place immediately before the live-action film and follows Gabriel Van Helsing's investigation in the grisly murders plaguing Victorian era London, and his discovery of a monstrous killer named Mr. Hyde. Marketed as the prequel to the theatrical release, it was produced for the straight-to-home video market by Universal and was received with mixed reception.[219][220][221]
Remove ads
Other media
Summarize
Perspective
Home video collections
The franchise has received a variety of home video packing boxsets including: The Classic Collection (1991-1994), the Classic Monster Collection (1999), The Legacy Collection (2004), the Essential Collection (2012), and the Complete Collection (2018).
Literature
Universal Pictures collaborated with a number of publishing companies to produce a variety mediums of literature, featuring the Universal Monsters characters, including novels, young adult fiction, graphic novels, comic books, and limited series.
Novels
Comics
Dark Horse Comics (1993–2006)
Skybound Entertainment (2023–present)
Theme park attractions
- Universal Monsters Live Rock and Roll Show: This live show has played under several different names across the Universal Parks & Resorts, and features several Universal Monsters alongside the title character of the horror-comedy film Beetlejuice.
- Universal's Halloween Horror Nights: Since 1991 at Universal Parks & Resorts the theme park attraction have featured characters from the Universal Classic Monsters franchise. From 2006 to 2014, the characters also appeared in the year-round walk-through attraction, Universal's House of Horrors, at Universal Studios Hollywood. The franchise is also the central theme of Universal's Horror Make-Up Show. The live show opened in 1990 at Universal Studios Florida and is still in operation.[349]
- Revenge of the Mummy: The Ride: Opening in 2004 at Universal Studios Florida and Universal Studios Hollywood, the roller coaster with dark ride elements is based on the first two Mummy films of the remake era.[350]
- Universal Epic Universe: A theme park attraction based on the concept and title of cancelled shared universe of films opened in May 2025, as a part of Universal Destinations & Experiences's planned expansion of the Orlando park location. Thematically inspired by each of its films, the park serves as a modern day follow-up to the original films, where attendees can explore a town named Darkmoor Village. This attraction features the great-great-granddaughter of Henry Frankenstein named Victoria, who has continued to follow in the mad scientist footsteps of her family and has begun creating monsters of her own. Visitors attending the park can see the events of a plot unfold, where her latest experiment which was intended to bring all of the Universal Monsters under her control backfires as a result of Dracula's revolt. The Dark Universe includes attractions, locales from the films, a number of rides, and a combination of actors, animatronics, special effects, and cutting-edge technology that was developed for the park.[351][352] The location includes Dracula, Frankenstein's Monster, Wolf Man, Bride of Frankenstein, Creature from the Black Lagoon, The Mummy, Invisible Man, and various others from the studio's films.[353]
- Universal Horror Unleashed: A haunted house attraction featuring characters from the Universal Classic Monsters franchise will open on August 14, 2025.[354][355]
Remove ads
Influence on unrelated media
Summarize
Perspective
The Universal Monsters have been attributed with directly influencing the horror genre and its filmmakers in the decades that followed,[356] as well as also retroactively adding additional depth to the source material for the characters.[357][358] The popularity of the franchise inspired decades of horror films that followed,[359] including leading to various unrelated media based on the characters and adapting in a variety of means.[360]
- The Munsters franchise (1964–2022): A comedic sitcom formatted parody of horror, where a family of benign monsters navigate their existence among normal American experiences. Produced in collaboration with Universal Television, the franchise was able to employ the copyrighted designs of the Universal Monsters for the Munster family.[361] Versions of Frankenstein's Monster, Count Dracula, the Gill-Man, Dr. Frankenstein, The Wolf Man, Phantom of the Opera, Bride of Frankenstein, and Dr. Jekyll / Mr. Hyde feature throughout its installments.[362]
- Mad Monster Party? (1967): Developed by Rankin/Bass Productions Inc. as a stop-motion animated musical comedy, the adaptation features incarnations of Universal Monsters with distinct variations to avoid copyright, including: Dr. Frankenstein (voiced by Boris Karloff), Frankenstein's Monster, Bride of Frankenstein, Count Dracula, the Wolf Man, The Mummy, Dr. Jekyll / Mr. Hyde, Creature from the Black Lagoon, Hunchback of Notre-Dame, and Invisible Man among various other monster-themed characters. Directed by Jules Bass, with a script written by Len Korobkin and Harvey Kurtzman, based on an original story from Arthur Rankin Jr., the plot centers around Dr. Frankenstein's invitation for all monsters to attend a retirement celebration at Castle Frankenstein to name is successor.[363] The feature-length film has been cited as a cult classic in the decades since its release.[364]
- Young Frankenstein (1974): A horror comedy film directed by Mel Brooks, from a script he co-wrote with Gene Wilder, it is a parody of the Frankenstein films produced by Universal Pictures in the 1930s and 1940s, most notably Frankenstein (1931), Bride of Frankenstein (1935), Son of Frankenstein (1939) and The Ghost of Frankenstein (1942). Released by 20th Century Fox, the plot follows Dr. Fredrick Frankenstein (Wilder), the grandson of the infamous Victor Frankenstein, who distances himself from his Frankenstein lineage but eventually resumes his grandfather's experiments in reanimating the dead. To recreate the atmosphere of the original films, the film was shot entirely in black-and-white, employed 1930s-style opening credits, used wipes and irises for scene transitions, and even used the original lab equipment by Kenneth Strickfaden from the original 1931 film.[365][366][367]
- The Monster Squad (1987): A horror comedy film directed by Fred Dekker, from a script he co-wrote with Shane Black, the film centers on a group of pre-teens who form a Universal Monsters fan club called the "Monster Squad" and they must protect their hometown against a group of monsters, led by Count Dracula, who are in search of a magic amulet that will give them the power to take over the world. Released through TriStar Pictures, the film features modernized versions of the Universal Monsters, including Count Dracula, Frankenstein's Monster, the Wolf Man, the Mummy, and the Gill-Man.[368][369]
- Darkman (1990): A superhero horror film directed and co-written by Sam Raimi about a scientist who works to develop synthetic skin but is burned alive and left for dead by mobsters. He then adopts the identity of a vigilante named Darkman to seek revenge on those who disfigured him. The film drew inspiration from films like The Phantom of the Opera (1925), The Hunchback of Notre Dame (1923), and the Universal horror films of the 1930s and 1940s, as well as pulp characters like The Shadow.[370][371]
- Frankenweenie (2012): A stop-motion animated film directed by Tim Burton, from a script written by John August, the film is a feature-length remake of his 1984 short film of the same name and is a parody and homage to the 1931 film Frankenstein. Released by Walt Disney Pictures, it follows a young boy who uses the power of electricity to resurrect his dead dog, but his peers discover what he has done and bring their own deceased pets back to life, resulting in mayhem. The film also features references and homages to other classic monster films, including the Universal Monsters.[372][373]
- Hotel Transylvania franchise (2012–2022): A series of family comedy films, which expanded into a franchise with other media. Produced by Sony Pictures Animation and released through Sony Pictures Releasing, the production studio included various famous monster characters, while utilizing comedically designed variations of those synonymous with the Universal Monsters as to avoid conflicts with copyright laws.[374] Those based on the Universal Monsters characters include: Dracula (Adam Sandler[br]), Dracula's Daughter (Selena Gomez), Frankenstein's Monster (Kevin James[bs]), Bride of Frankenstein (Fran Drescher), Wolf Man (Steve Buscemi), the Mummy (CeeLo Green[bt] and Keegan-Michael Key), Invisible Man (David Spade), Invisible Woman (Chrissy Teigen), Quasimodo (Jon Lovitz), the Gill-Man (Chris Parnell), Phantom of the Opera (Lovitz), She-Wolf (Molly Shannon), and Van Helsing (Jim Gaffigan).[375][376][better source needed][377]
- The Shape of Water (2017): Directed by Guillermo del Toro, from a script he co-wrote with Vanessa Taylor which was based on an original story by del Toro, the project initially entered development as a Creature from the Black Lagoon remake. Universal ultimately passed on del Toro's script, which would go on to earn various awards and recognition.[181]
Remove ads
Notes
- Baggot portrayed the character in the silent film, Dr. Jekyll and Mr. Hyde (1913).
- Karloff portrayed Jekyll, while Parker portrayed Hyde in Abbott and Costello Meet Dr. Jekyll and Mr. Hyde (1953).
- Fisher portrayed Jekyll, while Coltrane voiced a CGI-created Hyde in Van Helsing (2004).
- Crowe portrayed the character in The Mummy (2017).
- Chaney portrayed the character in the silent film, The Hunchback of Notre Dame (1923).
- Chaney portrayed the character in the silent film, The Phantom of the Opera (1925) where the character is named Erik.
- Rains portrayed the character in the remake, Phantom of the Opera (1943) where the character is named Erique Claudin.
- Lugosi portrayed the character in Dracula (1931).
- Carradine portrayed the character in House of Frankenstein (1944), and House of Dracula (1945).
- Lugosi reprised the role in Abbott and Costello Meet Frankenstein (1948).
- Langella portrayed the character in the remake of the 1931 original, Dracula (1979 film).
- Evans portrayed the character in Dracula Untold (2014), where the character is depicted as the historical figure Vlad III "the Impaler" Dracula in an origin story.
- Cage portrayed the character in Renfield (2023).
- Botet portrayed the character in The Last Voyage of the Demeter (2023).
- Karloff portrayed the character in Frankenstein (1931), The Bride of Frankenstein (1935), and Son of Frankenstein (1939).
- Chaney Jr. portrayed the character in The Ghost of Frankenstein (1942).
- Lugosi portrayed the character in Frankenstein Meets the Wolf Man (1943).
- Hardwicke portrays the ghostly apparition of the character during a hallucination sequence in The Ghost of Frankenstein (1942).
- Karloff portrayed the character in The Mummy (1932).
- Vosloo portrayed the character in The Mummy (1999), and The Mummy Returns (2001).
- Rains portrayed the character in The Invisible Man (1933).
- Jackson-Cohen portrayed the character in The Invisible Man (2020), where the character is named Adrian Griffin.
- Hull portrayed the character in Werewolf of London (1935).
- Holden portrayed the character in Dracula's Daughter (1936).
- Price portrayed the character in The Invisible Man Returns (1940); he later reprised the role in Abbott and Costello Meet Frankenstein (1948).
- Tyler portrayed the character in The Mummy's Hand (1940).
- Chaney Jr. portrayed the character in The Mummy's Tomb (1942), The Mummy's Ghost (1944), and The Mummy's Curse (1944).
- Bruce portrayed the character in The Invisible Woman (1940).
- Chaney Jr. portrayed the character in The Wolf Man (1941), Frankenstein Meets the Wolf Man (1943), House of Frankenstein (1944), House of Dracula (1945), and Abbott and Costello Meet Frankenstein (1948).
- del Toro portrayed the character in The Wolfman (2010).
- Abbott portrayed the character in Wolf Man (2025), where the character is named Blake Lovell.
- Hall portrayed the character in Invisible Agent (1942).
- Chaney Jr. portrayed the character in Son of Dracula (1943).
- Hall played another character in The Invisible Man's Revenge (1944).
- Lockhart portrayed the character in She-Wolf of London (1946).
- Franz portrayed the character in Abbott and Costello Meet the Invisible Man (1951).
- Chapman portrayed the character in Creature from the Black Lagoon (1954), while Browning served as underwater stunt double.
- Browning served as the underwater performer for the Creature in Creature from the Black Lagoon (1954), Revenge of the Creature (1955), and The Creature Walks Among Us (1956).
- Hennesy portrayed the character in Revenge of the Creature (1955), while Browning once again served as the underwater stunt double.
- Megowan portrayed the character in The Creature Walks Among Us (1956), while Browning again served as the underwater stunt double.
- Parker portrayed the character in Abbott and Costello Meet the Mummy (1955).
- Johnson portrayed the character in The Mummy Returns (2001), and The Scorpion King (2002).
- Copon portrayed the character in The Scorpion King 2: Rise of a Warrior (2008), while Pierre Marais featured as the character at a younger age.
- Webster portrayed the character in The Scorpion King 3: Battle for Redemption (2012), and The Scorpion King 4: Quest for Power (2015).
- McGowan portrayed the character in The Scorpion King: Book of Souls (2018).
- Li portrayed the character in The Mummy: Tomb of the Dragon Emperor (2008).
- Although originally produced and released by Paramount Pictures, MCA Inc. obtained the rights to the film in 1958 and acquired Universal in 1962 and branded it with Universal Studios Monsters in its 1991 home video release.[238]
- Brian Hull voiced the character in Hotel Transylvania: Transformania.
- Green portrayed the character in Hotel Transylvania only.
References
Wikiwand - on
Seamless Wikipedia browsing. On steroids.
Remove ads