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Vittorio Storaro
Italian cinematographer (born 1940) From Wikipedia, the free encyclopedia
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Vittorio Storaro, A.S.C., A.I.C. (born 24 June 1940), is an Italian cinematographer, widely recognized as one of the best and most influential in cinema history.[1][2][3][4]
Over the course of 50 years, he has collaborated with directors like Bernardo Bertolucci[5], Francis Ford Coppola, Warren Beatty, Woody Allen, and Carlos Saura.
Storaro is one of three living people to have won the Academy Award for Best Cinematography three times, a position he shares with Robert Richardson and Emmanuel Lubezki.
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Early life and education
Born in Rome, Storaro is the son of a film projectionist.
He began studying photography at the age of 11, and at the age of 18, he went on to formal cinematography studies at the national Italian film school, Centro Sperimentale di Cinematografia.[6]
Career
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Storaro's philosophy is largely inspired by Johann Wolfgang von Goethe's theory of colors, which focuses in part on the psychological effects that different colors have and the way in which colors influence our perceptions of different situations.[7]
He first worked with Bernardo Bertolucci on The Conformist (1970)[8]. He then worked on Dario Argento's first directorial feature The Bird with the Crystal Plumage (1970), which is considered a landmark in the giallo genre.[9]
With Francis Ford Coppola, Storaro could make his American film debut with Apocalypse Now (1979),[10] which earned him his first Academy Award for Best Cinematography.[11]
Storaro went to win two more Academy Awards in the 1980s, one with Warren Beatty's Reds (1981)[12], and one for Bertolucci's The Last Emperor (1987).[12][13]
In 2002, Storaro completed the first in a series of books that articulate his philosophy of cinematography.[14]
He was the cinematographer for a BBC co-production with Italian broadcaster RAI of Verdi's Rigoletto over two nights on the weekend of 4 and 5 September 2010.[15]
Though working primarily with film cameras, Woody Allen's feature Café Society (2016) was Storaro's first project to be shot digitally.[16]
In 2017, Storaro was honored with the George Eastman Award.[17] The same year he also attended the New York Film Festival at which he debated with Edward Lachman on cinematography and its transition from film to digital.[18]
With his son Fabrizio, he created the Univisium format system to unify all future theatrical and television movies into one respective aspect ratio of 2.00:1.[19] As of 2023, this unification has not happened, and the universal replacement of 4:3 televisions by large, wide-screen displays greatly reduces the need to modify scope-ratio films for home theater presentation.
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Personal life
Storaro is known for stylish, fastidious, and flamboyant personal fashion. Francis Ford Coppola once noted, "Vittorio is the only man I ever knew that could fall off a ladder in a white suit, into the mud, and not get dirty."[20]
Filmography
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Feature film
Documentary film
Television
Miniseries
TV movies
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Awards and nominations
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American Society of Cinematographers
International Film Festival of India
British Society of Cinematographers
National Society of Film Critics
New York Film Critics Circle Awards
Los Angeles Film Critics Association
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References
Further reading
External links
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