Year |
International Jury Grand Prize |
International Jury Distinction |
International Jury Best Director Award |
Audience Award |
Best Short Film Award |
High School/Student Jury Distinction |
2013 | Rose by Wojciech Smarzowski (Poland) | Camp 14 - Total control Zone by Marc Wiese (Germany) | Omar by Hany Abu-Assad (Palestine) | Camp 14 - Total control Zone by Marc Wiese | Machsom by Joel Novoa (USA) | - |
2014 | Tangerines by Zaza Urushadze (Estonia/Georgia) | Canopy by Aaron Wilson (en, Australia/Singapore) | Boys of Abu Ghraib by Luke Moran (USA) | - | Habana by Edouard Salier (France) | - |
2015 | Soleil de plomb (Zvizdan) by Dalibor Matanic (Croatia/Serbia/Slovenia) | À peine j'ouvre les yeux by Leyla Bouzid (France/Tunisia/Belgium) | Son of Saul by Laszlo Nemes (Hungary) | Censored Voices by Mor Loushy (Israel/Germany) | Bendito Machine V - Pull the trigger by Jessie Malis Alvarez (Spain) | - |
2016 | Fuocoammare, par-delà Lampedusa by Gianfranco Rosi (France/Italy) | A Good Wife (Dobra zena) by Mirjana Karanovic (Serbia /Bosnia-Herzegovina/Croatia) | Tombé du ciel by Wissam Charaf (Libanon/France) | Les Oubliés by Martin Zandvliet (Germany/Denmark) | No news from home by Patrick Zocco (France) | Les Oubliés by Martin Zandvliet (Germany/Denmark) |
2017 | Last Men in Aleppo by Feras Fayyad (Denmark/Syria) | To the actor Meinhard Neumann for the film Western by Valeska Grisebach (Germany/Bulgaria/Austria) | Women of the Weeping River by Sheron Dayoc (Philippines/France) | The Yellow Birds by Alexandre Moors (USA) | Battalion to my beat by Eimi Imanishi (USA) | Meteor Street by Aline Fischer (Germany) |
2018 | Chris The Swiss by Anja Kofmel (Switzerland/Germany/Croatia/Finland) | Los Silencios by Beatriz Seigner (Brasil/Colombia/ France) | Cold War by Pawel Pawlikowski (Poland/UK/France) | Funan by Denis Do (France/Belgium/Luxembourg/Cambodia) | Animal by Jules Janaud et Fabrice Le Nezet (France) | Los Silencios by Beatriz Seigner (Brasil/Colombia/ France) |
2019 | Pour Sama by Waad al-Khateab and Edward Watts (UK) | Monos by Beatriz Seigner (Colombia) | Papicha by Mounia Meddour (Algeria/France/Belgium) | Pour Sama by Waad al-Khateab and Edward Watts (UK) | - | Papicha by Mounia Meddour (Algeria/France/Belgium) |
2020 | The Flying Circus by Fatos Berisha (Kosovo) | Les Leçons persanes by Vadim Prelman (Russia/Germany/Belarus) | La Toile de l'Araignée by Andrès Wood (Chile) | Les Leçons persanes by Vadim Prelman (Russia/Germany/Belarus) | - | 1982 by Oualid Mouaness (Libanon/France/Norway/Qatar) |
2021 | En Route pour le Milliard (Downstream to Kinshasa) by Dieudo Hamadi (France/Congo/Belgium) | Olga by Elie Grappe (Switzerland/France/Ukraine) | - | L'homme qui a vendu sa peau (The Man Who Sold His Skin) by Kaouther Ben Hania (Tunisia/France/Belgium/Sweden/Germany) | - | Et il y eut un matin (Let It Be Morning) by Eran Kolirin (Israel/France) |
2022 | Natural Light by Dénes Nagy (Hungary/Latvia/France/Germany) | Marin des montagnes by Karim Aïnouz (Brazil/France/Germany/Algeria) | - | Amira by Mohamed Diab (Egypte/Jordan/United Arab Emirates/Saudi Arabia) | - | Butterfly Vision by Maksym Nakonechny (Ukraine/Croatia/Sweden) |
2023[9] | In the Rearview (Skad dokad) by Maciek Hamela (Poland/France/Ukraine) | Fremont by Babak Jalali (USA) | - | Goodbye Julia by Mohamed Kordofani (Sudan/Egypt/Germany/France/Saudi Arabia/Sweden) | The Record by Jonathan Laskar (Switzerland) | Heroic by David Zonana (Mexico/Sweden) |
2024 |
The Village Next to Paradise by Mo Harawe (Austria/France/Somalia) |
Intercepted by Oksana Karpovych (Canada/France/Ukraine) |
- |
Rabia by Mareike Engelhardt (France) |
Moeder by Salomon Ligthelm (Ukraine) |
Flavors of Iraq by Feurat Alani and Léonard Cohen (France/Iraq) |