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Witchboard (2024 film)
Film by Chuck Russell From Wikipedia, the free encyclopedia
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Witchboard is a 2024 supernatural horror film written and directed by Chuck Russell. A remake of the 1986 film, it stars Madison Iseman, Aaron Dominguez, Melanie Jarnson, Charlie Tahan, Antonia Desplat, and Jamie Campbell Bower. Its plot follows a young couple opening a restaurant in New Orleans who come in contact with a spirit board that begins wreaking havoc on their lives.
The film had its world premiere at the 28th Fantasia International Film Festival on July 26, 2024, and was released in the United States on August 15, 2025.
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Plot
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Emily, a recovering heroin addict, is helping to prepare for her fiancé Christian's opening of a restaurant in New Orleans's French Quarter in a renovated carriage house where they reside. While picking mushrooms in the forest, Emily comes across a historic spirit board which has recently been stolen from a local museum. At a dinner party, Emily shows the board to Christian's ex-girlfriend, Brooke, an academic and antiquities expert, who analyzes some of its symbols.
Emily discovers a pendulum made out of a human finger bone contained within the board's eye centerpiece. Believing that the board is allowing her to communicate with her own subconscious mind, Emily locates her lost engagement ring. Simultaneously, Christian's friend and employee, Richie, is killed in a violent kitchen accident in which his hand is dismembered by an electric meat slicer. Later, the board causes Emily's former drug dealer, Jessie, to fall from a rooftop to his death.
When Christian learns the board was stolen and that its thieves have since died, he suggests turning it into authorities, but Emily refuses, fearing she may be suspected due to her criminal record of drug possession. Emily begins experiencing visions of the board's creator, Naga Soth, a witch who was persecuted in 1690s France, condemned and outcast from her village by Bishop Grogan, a witchhunter who secretly wished to utilize her occult powers himself. After her banishment, the powerful Naga Soth cursed the village, causing them to turn against each other and eventually kill one another.
Worried about Emily's declining mental state, Christian seeks assistance from Alexander Babtise, a New Age pagan and acquaintance of Brooke. Alexander visits the couple, and during a session with the board, places Emily in a trance during which her soul is transferred back in time to Naga Soth, who comes to possess Emily's body in the present day. As Emily faces execution for Naga Soth's crimes, Naga Soth poisons the guests at Christian's restaurant opening with mushrooms that cause them to hallucinate and kill one another, recreating her past vengeance. Alexander, who is present at the dinner, absconds while Brooke narrowly saves Christian, who is pursued by police.
Brooke brings Christian to Alexander's lavish ancestral estate. It is revealed that Alexander is a descendant of Bishop Grogan, and Emily a descendant of Naga Soth. Alexander seeks to control Naga Soth as his minion among his modern coven of witches, viewing it as a fulfillment of his ancestral lineage. Christian manages to kill several of the cultists and hurl the spirit board into a fireplace before being shot by Alexander. Meanwhile, Naga Soth, recalling Grogan's mistreatment of her, turns against Alexander. As the spirit board begins to burn, Naga Soth's soul is returned across time to her original body, only moments before her burning at the stake. Using her magic, Naga Soth keeps the fire at bay and taunts Grogan. Intent on carrying out the execution, Grogan attempts to decapitate Naga Soth, but she overpowers him and pulls him into the pyre, allowing them both to burn to death. Simultaneously, Alexander manages to save the board from the fireplace before Emily, her soul now restored to her physical body, shoots him to death. Emily consoles Christian as he dies of his wounds. After police descend on the scene, Alexander is placed in a body bag, only to open his eyes as the bag is zipped closed.
Some time later, Brooke visits the Vatican, where a Catholic priest offers her precious diamonds in exchange for the board. Before departing with Emily, the two hand over the bone pendulum. After they leave, the priest begins to communicate with the board before Naga Soth appears behind him.
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Cast
- Madison Iseman as Emily[7]
- Aaron Dominguez as Christian[7]
- Melanie Jarnson as Brooke[1]
- Charlie Tahan as Richie[8][7]
- Antonia Desplat as Naga Soth[8][7]
- Jamie Campbell Bower as Alexander Babtiste[9]
- David La Haye as Bishop Grogan[1]
Production
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Development
In 2017, Chuck Russell became attached to write the script for a remake of the 1986 film Witchboard.[10] It was reported in May 2019, that he would also direct the film and it would be produced by Grimmfest, in partnership with Minds Eye Entertainment, Falconer Pictures and M2 Media Post.[11]
Commenting on his inspiration for the film and choice to set it in New Orleans, Russell said: "My impression of classic witchcraft and sorcery is associated with the mystique of New Orleans. There’s also literally a French connection in this story, as some of the most dramatic Witch Trials took place in France, and there is a connection with the French settling in New Orleans. I wanted to have a connection between this set of characters and the set of characters in the 1700s that created the Witchboard. Nothing could be more atmospheric and colorful than New Orleans".[12] According to Russell, the historic sequences in the film are based on documented witch trials in France, which included persecution for use of pendulum boards, which were progenitors to the modern Ouija board.[13]
Filming
In March 2023, pre-production restarted with Russell's A-Nation Media and Gala Films replacing the previous production studios.[14][15] Principal photography took place in Montreal and New Orleans from April to June 2023.[16][17] Some scenes were shot in Sainte-Anne-de-Bellevue at Morgan Arboretum in late May.[18] The production was granted an interim agreement allowing the actors to continue working on the film during the 2023 SAG-AFTRA strike.[19]
Release
Witchboard had its world premiere at the 28th Fantasia International Film Festival on July 26, 2024.[1][20] In October 2024, Highland Film Group acquired international sales rights to the film.[21]
The film was given a limited theatrical release in the United States by The Avenue and Atlas Distribution on August 15, 2025 in 580 theaters.[2][22]
Reception
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Box office
On its opening night in the United States, the film earned $74,000,[6] averaging $128 per screen.[22] It concluded its opening weekend with $197,000 in ticket sales,[6] averaging $339 per screen.[23]
Critical response
On the review aggregator website Rotten Tomatoes, 63% of 30 critics' reviews are positive.[24] Metacritic, which uses a weighted average, assigned the film a score of 56 out of 100, based on 4 critics, indicating "mixed or average" reviews.
Josh Korngut, writing for Dread Central, gave the film a four out of five rating, writing that "although its plot unravels a smidge in the final act, and its runtime is about 20 minutes longer than I would've recommended, these few blemishes somehow only add to the film's overall charm and commitment to the bit."[25] Joe Lipsett of Bloody Disgusting gave the film a two and a half out of five rating, summarizing that "it's messy and uneven, scattered in both narrative and performance, but fun enough to lightly recommend."[8] Writing for Rue Morgue, Deirdre Crimmins noted: "It is not a perfect film. Its characters and plot are thin, and at times it is unclear if we are supposed to root for or against the board and the witches. But it also feels like a throwback to the sort of mid-budget horror films made in the ’80s and ’90s that have all but disappeared from the slate of film releases in this century. It prioritizes madness and commotion over artistry or coherence, and comes away successful in that quest. It is hard to ding a film that refuses to take itself too seriously when it does just that."[26]
J. Hurtado, writing for ScreenAnarchy, noted: "Though it doesn’t reinvent the wheel, Russell’s Witchboard is a perfectly decent—if a little long—stab at the haunted item subgenre that should satisfy fans of the earlier franchise."[27] Rob Hunter of Film School Rejects described the film at its premiere at the Fantasia International Film Festival as "an okay romp, a slightly better one if Russell makes some judicious cuts before its eventual release, but it can’t touch the original or even come close to the highs of his own 80s classics."[28] RogerEbert.com's Clint Worthington noted of the performances that "Iseman makes for a capable lead, but she’s surrounded by a devil’s row of mismatched and miscalibrated supporting players," and described the film as a throwback to the horror films of the 1980s and 1990s, awarding it two and a half out of four stars.[29]
Writing for Paste, critic Jim Vorel gave the film a favorable assessment, describing it as "relentlessly entertaining, nasty in its misanthropic delight in messing with its characters, stylishly put together, and unexpectedly sexy to boot. Deeply silly but more narratively ambitious than one would likely expect, it’s bursting (honestly overstuffed) with ideas and cinematic verve, taking advantage of a slightly longer runtime to really venture into increasingly bonkers metaphysical territory as it draws on and creates new cinematic tropes for movies about witches."[30] The Mercury News's Randy Myers felt the film was an improvement upon the original, adding that it "gives diehard fans a gory, well-acted throwback that faithfully adheres to the genre playbook. Although it runs on for far too long (nearly 2 hours!), Russell executes the bloodshed and witchery in Gothic style."[31]
In a mixed review, Mark Hanson of Slant Magazine awarded the film a two out of four star-rating, describing its supernatural elements as "run-of-the-mill," but conceded: "Some of the period action set pieces are spirited in their staging, while the film doesn’t lack for gruesome and elaborate kill sequences, which is almost enough to distract from the screenplay’s patchiness and insipid characterizations."[32] Starburst's Martin Unsworth awarded the film three out of five stars, summarizing: "Radically different to the original movie, Russell’s version is a stylish if slightly overlong mixture of character drama and mystical horror... It’s doubtful Russell’s Witchboard will gain the cult following the original has, but even with some flaws, it’s an entertaining picture."[33]
Kevin Tenney, the writer and director of the original film, commented favorably on its "strong cast, masterful direction, and gorgeous cinematography. Although it’s an entirely different story with different characters, it does manage to pay homage to three or four sequences from my original film."[34]
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