Amitabh Bachchan (IPA: [əmitɑːbʱ bətʃtʃən]; Devanagari: अमिताभ बच्चन), lahir Inquilaab Srivastava; 11 Oktober 1942)[3] ialah seorang pelakon lelaki India. Beliau juga ialah seorang penerbit dan bekas hos untuk rancangan permainan Kaun Banega Crorepati?. Beliau memulakan kerjaya filemnya pada tahun 1969 dengan membintangi Saat Hindustani. Sehingga kini, beliau masih seorang tokoh penting dalam industri filem Bollywood. Beliau dianggap sebagai salah seorang daripada pelakon-pelakon tersohor dalam panggung wayang India. Beliau masih merupakan salah seorang pelakon yang paling banyak gajinya dalam industri, serta dianggap sebagai salah seorang "megastar" terbesar yang pernah dihasilkan oleh industri perfileman India.[4][5][6]
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Tutup
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- Mazumdar, Ranjani. Bombay Cinema: An Archive of the City. Minneapolis: University of Minnesota Press, 2007 ISBN 978-0-8166-4942-6
- Bhawana Somaaya (1 February 1999). Amitabh Bachchan: The Legend. Macmillan India Limited. ISBN 978-0-333-93355-8.
- Bhawana Somaaya (2009). Bachchanalia: The Films and Memorabilia of Amitabh Bachchan. Osian's-Connoisseurs of Art. ISBN 978-81-8174-027-4.
- Roy, S. (2006). "An Exploratory Study in Celebrity Endorsements". Journal of Creative Communications. 1 (2): 139–153. doi:10.1177/097325860600100201. ISSN 0973-2586.
- Kavi, Ashok Row (2008). "The Changing Image of the Hero in Hindi Films". Journal of Homosexuality. 39 (3–4): 307–312. doi:10.1300/J082v39n03_15. ISSN 0091-8369.
- Rao, R. Raj (2008). "Memories Pierce the Heart". Journal of Homosexuality. 39 (3–4): 299–306. doi:10.1300/J082v39n03_14. ISSN 0091-8369. PMID 11133138.
- Mishra, Vijay; Jeffery, Peter; Shoesmith, Brian (1989). "The actor as parallel text in Bombay cinema". Quarterly Review of Film and Video. 11 (3): 49–67. doi:10.1080/10509208909361314. ISSN 1050-9208.
- RAJADHYAKSHA, Ashish (2003). "The 'Bollywoodization' of the Indian cinema: cultural nationalism in a global arena". Inter-Asia Cultural Studies. 4 (1): 25–39. doi:10.1080/1464937032000060195. ISSN 1464-9373.
- Mallapragada, M. (2006). "Home, homeland, homepage: belonging and the Indian-American web". New Media & Society. 8 (2): 207–227. doi:10.1177/1461444806061943. ISSN 1461-4448.
- Gopinath, Gayatri (2008). "Queering Bollywood". Journal of Homosexuality. 39 (3–4): 283–297. doi:10.1300/J082v39n03_13. ISSN 0091-8369. PMID 11133137.
- Jain, Pankaj (2009). "FromKil-Arni to Anthony: The Portrayal of Christians in Indian Films". Visual Anthropology. 23 (1): 13–19. doi:10.1080/08949460903368887. ISSN 0894-9468.
- Punathambekar, Aswin (2010). "Reality TV and Participatory Culture in India". Popular Communication. 8 (4): 241–255. doi:10.1080/15405702.2010.514177. ISSN 1540-5702.
- Aftab, Kaleem (2002). "Brown: the new black! Bollywood in Britain". Critical Quarterly. 44 (3): 88–98. doi:10.1111/1467-8705.00435. ISSN 0011-1562.
- Jha, Priya (2003). "Lyrical Nationalism: Gender, Friendship, and Excess in 1970s Hindi Cinema". The Velvet Light Trap. 51 (1): 43–53. doi:10.1353/vlt.2003.0007. ISSN 1542-4251.
- Jones, Matthew (2009). "Bollywood, Rasa and Indian Cinema: Misconceptions, Meanings and Millionaire". Visual Anthropology. 23 (1): 33–43. doi:10.1080/08949460903368895. ISSN 0894-9468.
- Garwood, Ian (2006). "The Songless Bollywood Film". South Asian Popular Culture. 4 (2): 169–183. doi:10.1080/14746680600797210. ISSN 1474-6689.