Academy Award for Best Original Score

motion picture award for music From Wikipedia, the free encyclopedia

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The Academy Award for Original Score is given to the best body of music in the form of dramatic underscoring that is written specifically for a movie.[1]

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Winners and nominees

1930s

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1940s

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1950s

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1960s

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1970s

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1980s

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1990s

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2000s

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2010s

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2020s

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Notes

  1. From 1934 until 1937, nominated films were represented by the head of the film studio's music department rather than the composer. Each film's actual composer(s) are listed in parentheses.
  2. Captain Blood was not officially nominated for this award, but appears in Academy records because it placed third in voting as a write-in candidate in 1935.
  3. From 1937 until 1945, film studios could submit one eligible film of their choosing, guaranteeing it a nomination.
  4. Blacklisted composer Larry Adler's name was removed from American prints of the British-made Genevieve. The film's arranger and orchestrator Muir Mathieson was credited instead and received an Oscar nomination. In 1986, the Academy's Board of Governors removed Mathieson's name from the nomination and gave it to Adler.
  5. In 1957, dramatic and comedy films competed with musicals in a combined category called Music – Scoring. Fifteen scores were shortlisted with ten from dramatic and comedy films and five from musicals. Voting resulted in no musical nominees.
  6. Limelight was originally released in 1952, but had never screened theatrically in Los Angeles until 1972, at which point it became eligible for Oscar consideration.
  7. Nino Rota was nominated for The Godfather in 1972, but the nomination was rescinded after it was discovered that Rota reused music from the 1958 film Fortunella. The Academy's entire music branch revoted for a fifth nominee. They could renominate Rota for The Godfather or select one of the five other shortlisted scores: Ben by Walter Scharf, Fellini's Roma by Rota, The Life and Times of Judge Roy Bean by Maurice Jarre, The Other by Jerry Goldsmith, or Sleuth by John Addison. Sleuth received the most votes and became the fifth nominee.
  8. From 1995 until 1998, Best Original Score was split into Original Dramatic Score and Original Musical or Comedy Score. For musicals and comedies, songwriters and lyricists along with orchestral underscore composers were eligible for nomination.
  9. Lisa Gerrard and Klaus Badelt also received screen credit for the Gladiator score, but only Zimmer was deemed eligible for the nomination.
  10. The eligibility period for the 93rd ceremony was exceptionally extended through to February 28, 2021, due to the impact of the COVID-19 pandemic.
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References

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