Elena Kats-Chernin

Elena Davidovna Kats-Chernin AO (born 4 November 1957) is an Uzbek-born Australian composer and pianist, best known for her ballet Wild Swans.

Elena Kats-Chernin AO
Kats-Chernin, 2018
Born	(1957-11-04) 4 November 1957 (age 67) Tashkent, Uzbek SSR, Soviet Union (now Uzbekistan)
Nationality	Soviet, Australian
Occupation(s)	Composer, pianist

Early life and education

Elena Kats-Chernin was born in Tashkent (now the capital of independent Uzbekistan, but then part of the Soviet Union) and is Jewish.^[1] She studied at the Yaroslavl Music School and the Gnessin State Musical College in Moscow from age 14. She migrated to Australia in 1975, continuing her studies at the Sydney Conservatorium of Music, under Richard Toop (composition) and Gordon Watson (piano).^[2] She graduated from the Conservatorium in 1980.^[3] She also participated in the Darlinghurst underground theatre scene,^[4] with groups such as Cabaret Conspiracy, Fifi Lamour, Boom Boom La Burn and others, often under the name Elena Kats.^[5]

After graduating, Kats-Chernin moved to Germany to study under Helmut Lachenmann. She remained in Europe for thirteen years, and became active in theatre and ballet, composing for state theatres in Berlin, Vienna, Hamburg and Bochum.^[6] In 1993 she wrote Clocks for the Ensemble Modern. It has since been performed around the world.

Career

Since returning to Australia in 1994, Kats-Chernin has written several operas, a ballet, two piano concertos and compositions for many performers and ensembles, including the Australian Chamber Orchestra, the Australian World Orchestra, the Sydney Symphony, the Melbourne Symphony, the Adelaide Symphony, the Tasmanian Symphony, and the Australian Brandenburg Orchestra.^[7]

She was commissioned to write a piece, Page Turn, for the 2000 Sydney International Piano Competition. In 2009, Kats-Chernin was commissioned by the National Museum of Australia to write Garden of Dreams, an orchestral piece named for one of the architectural features of the museum, which premiered at the museum the same year.^[8] Kats-Chernin's other works include Charleston Noir for solo piano, Rockhampton Garden Symphonies with Mark Svendsen for solo voices, mixed choirs and orchestra, and Wild Swans (ABC Classics) a collaboration with choreographer Meryl Tankard.

She has thrice collaborated with TV channels ZDF and Arte, writing soundtracks to accompany their restorations of classic silent films: the 1995 restoration of Victor Sjöström's The Phantom Carriage, the 1999 restoration of G. W. Pabst's The Devious Path, and the 2005 restoration of Billy Wilder and Robert Siodmak's People on Sunday.

Her music was featured at the opening ceremonies of the 2000 Sydney Olympic Games and the 2003 Rugby World Cup, and at the conclusion of the 2018 Commonwealth Games.

Kats-Chernin's "Eliza Aria" from Wild Swans is was used in Lloyds TSB's 2007 television advertisements in Britain. One of Kats-Chernin's ragtime pieces for piano, "Russian Rag", is used as the New York theme in Adam Elliot's ACTAA-nominated animated feature, Mary and Max. Two ensemble arrangements of "Russian Rag" were used as the theme of ABC Radio National's Late Night Live program until 2010, when Wild Swans then became the program's theme until the end of 2015.

She has won numerous music composition prizes in Australia, and her pieces are regularly broadcast on ABC Classic. Her pieces have featured in ten of the station's annual Classic 100 Countdowns.^[9] In 2025, Kats-Chernin was the most popular female composer listed in the countdown, with three entries: Eliza Aria at 24, Butterflying at 52 and Russian Rag at 58.^[10]

A portrait of Kats-Chernin by Australian portrait artist Wendy Sharpe was acquired by the National Portrait Gallery (Australia) in 2019.^[11]

Kats-Chernin is a represented composer of the Australian Music Centre.^[12]

Honours and awards

Elena Kats-Chernin was appointed an Officer of the Order of Australia (AO) in January 2019 "for distinguished service to the performing arts, particularly to music, as an orchestral, operatic and chamber music composer".^[13]

ARIA Music Awards

The ARIA Music Awards is an annual awards ceremony held by the Australian Recording Industry Association. They commenced in 1987.

Year	Nominee / work	Award	Result	Ref.
2005	Wild Swans	Best Classical Album	Nominated	[14]
2008	Slow Food		Nominated
2017	A Piece of Quiet (The Hush Collection, Vol. 16) (with Lior and The Idea of North)	Best Children's Album	Nominated

Australian Women in Music Awards

The Australian Women in Music Awards is an annual event that honours women for their contributions to the Australian music industry. They were first awarded in 2018.

Year	Nominee / work	Award	Result
2022[15]	Elena Kats-Chernin	Artistic Excellence Award	Won
		Excellence in Classical Music Award	Nominated

Sidney Myer Performing Arts Awards

The Sidney Myer Performing Arts Awards commenced in 1984 and recognise outstanding achievements in dance, drama, comedy, music, opera, circus and puppetry.

Year	Nominee / work	Award	Result
2013	Elena Kats-Chernin	Individual Award	awarded

Works

Operas

• Iphis, Sydney, 1997
• Matricide, the Musical, Melbourne, 1998
• Mr Barbeque, Lismore, New South Wales, 2002
• Rage of Life, Antwerp, 2010
• George, Hannover-Herrenhausen, 2014^[16]
• The Divorce, for ABC Television, 2015^[17]
• The Monteverdi Trilogy
• Whiteley, 2019^[18]
• Jim Knopf und Lukas der Lokomotivführer, 2019^[19]
• The Wind in the Willows [de], Staatstheater Kassel 2021, adaptation of Kenneth Grahame's children's book The Wind in the Willows^[20]

Ballets

• Wild Swans (including "Eliza Aria")

Vocal

• Land of Sweeping Plains, SA choir and piano (set to Dorothea Mackellar, My Country)
• Rockhampton Garden Symphonies, solo voices, mixed choirs and orchestra (with Mark Svendsen)
• The Uninvited Stranger, 2007, SATB choir (text by Sandy Jeffs)^[21]
• Human Waves, 2020, SATB choir (text by Tamara Anna Cislowska)^[22]

Instrumental

• Butterflying (2007)
• Blue Silence (2006)
• Cadences, Deviations and Scarlatti
• Calliope Dreaming (2009))
• Chamber of Horrors, for harp
• Charleston Noir
• Clocks
• Cinema
• Frankenstein (incidental music, 2013)
• From Anna Magdalena's Notebook (six movements arranged for string quartet (Australian String Quartet) 2006, arranged for saxophone quartet (Nexas Quartet) 2016)^[23]
• Gypsy Ramble, for viola, cello and piano
• In Tension
• Intermezzo Days
• Lullaby for Nick
• Meditations of Eric Satie: Unsent Love Letters
• Page Turn
• Peggy's Minute Rag
• Phoenix Story
• Purple Prelude
• Russian Rags
• Sand Waltz
• Schubert Blues
• Setting Out
• Slicked Back Tango
• Spirit and the Maiden
• Still Life, for viola and piano
• Stur in Dur
• Tast-en
• The Offering, Piano Quintet No. 1 (2016)
• Three Dancers (2015)
• Tremors, dreams, memories (2003, written for the Indonesian pianist Ananda Sukarlan and dedicated to the victims of the Bali bombings 2002)
• Trio Grandios
• Variations in a Serious Black Dress
• Velvet Revolution, for horn, violin and piano
• Wild Rice, for cello (1996)
• Zoom and Zip

Orchestral/concertante

• Deep Sea Dreaming
• Garden of Dreams
• Harpsichord Concerto ("Ancient Letters"), for Mahan Esfahani
• Night and Now (for flute and orchestra)
• Ornamental Air (for clarinet and orchestra)
• Piano Concerto (Displaced Dances)
• 2nd Piano Concerto
• Prelude and Cube
• Retonica
• Singing Trees
• Stairs
• Symphonia Eluvium
• Transfer
• Violin Concerto
• The Witching Hour, concerto for 8 double basses and orchestra (2016), commissioned for the Australian World Orchestra^[24]
• Inner Angels, commissioned for the Melbourne Youth Orchestra

Films

• The Widower
• Körkarlen (The Phantom Carriage)
• People on Sunday (Menschen am Sonntag)
• Abwege (The Devious Path)
• Varieté (Variety)
• Memoir of a Snail (2024)^[25]