Goharshad Mosque

Mosque in Imam Reza Shrine, Mashhad From Wikipedia, the free encyclopedia

Goharshad Mosquemap

Goharshad Mosque (Persian: مسجد گوهرشاد) is a grand congregational mosque built during the Timurid era in Mashhad, Razavi Khorasan Province, Iran, which now serves as one of the prayer halls within the Imam Reza shrine complex.

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Goharshad Mosque
The monumental "Maqsura" Iwan along with the dome and minarets of Goharshad Mosque.
Religion
AffiliationSunni Islam
Location
LocationMashhad, Razavi Khorasan Province, Iran
Goharshad Mosque is located in Iran
Shown within Iran
AdministrationAstan Quds Razavi
Geographic coordinates36°17′14.55″N 059°36′52.89″E
Architecture
Architect(s)Ghavameddin Shirazi
TypeJameh Mosque
StyleTimurid
FounderEmpress Goharshad
Specifications
Dome(s)1
Dome height (outer)43 meters
Minaret(s)2
Minaret height43 meters
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History

It was built by the order of Empress Goharshad, the wife of Shah Rukh of the Timurid dynasty in 1418 CE.

The double-layered dome of the mosque was severely damaged in 1911 in bombings by troops of the Russian Empire. In the 1960s, the dome of Goharshad mosque was deemed to be in severe structural danger, damages caused by various earthquakes over time, the 1911 Russian bombings, and the attack on the mosque by Reza Shah during the 1935 rebellion required the dome to be rebuilt. By the order of Mohammad Reza Shah, the tiles from the ancient dome were removed in the 1960s and the external shell was dismantled. A new external shell was built. The dome was re-tiled. While such repairs were necessary, they permanently altered the historic identity of the mosque.

Design

In 1965 Arthur Pope, a scholar of Persian architecture, said:

The first, and the greatest surviving, Persian monument of the fifteenth century is the beautiful mosque of Gawhar Shad (1418) now abutting the shrine of the Imam Reza in Mashhad. Its portal continues the Samarkand style of arch within arch, enriched by a succession of bevels and reveals that give it depth and power. The thick, tower-like minarets, merging with the outer corners of the portal screen, extend to the ground and, together with the high foundation revetment of marble, give the ensemble the impression of solidity necessary to support its exuberant color. The entire court facade is faced with enamel brick and mosaic faience of the finest quality....

Arthur Pope, Persian Architecture: The Triumph of Form and Color[1][excessive quote]

See also

References

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