Top Qs
Timeline
Chat
Perspective
Hayley Mills
English actress (born 1946) From Wikipedia, the free encyclopedia
Remove ads
Hayley Catherine Rose Vivien Mills (born 18 April 1946) is an English actress. The daughter of Sir John Mills and Mary Hayley Bell and younger sister of actress Juliet Mills, she began her acting career as a child and was hailed as a promising newcomer, winning the BAFTA Award for Most Promising Newcomer for her performance in the British crime drama film Tiger Bay (1959), the Academy Juvenile Award for Disney's Pollyanna (1960) and Golden Globe Award for New Star of the Year – Actress in 1961.
During her early career, Mills appeared in six films for Walt Disney, including her dual role as twins Susan and Sharon in the Disney film The Parent Trap (1961). Her performance in Whistle Down the Wind (a 1961 adaptation of the novel written by her mother) saw Mills nominated for the BAFTA Award for Best British Actress and she was voted the biggest star in Britain for 1961.
In the late 1960s, Mills began performing in theatrical plays, making her stage debut in a 1969 West End revival of Peter Pan. She also played in more mature roles. For her success with Disney, she received the Disney Legend Award. Although she has not maintained the box office success or the Hollywood A-list status she experienced as a child actress, she has continued to make films and TV appearances, including a starring role in the UK television mini-series The Flame Trees of Thika in 1981, the title role in Disney's television series Good Morning, Miss Bliss in 1988, and as Caroline, a main character in Wild at Heart (2007–2012) on ITV in the UK. She published her memoirs, Forever Young, in 2021.
Remove ads
Early life and education
Hayley Catherine Rose Vivien Mills was born on 18 April 1946,[1] in Marylebone, London, to British actor Sir John Mills and actress Mary Hayley Bell.[2][1] Her sister is actress Juliet Mills and her brother writer and producer Jonathan Mills.[1]
Child actress
Summarize
Perspective
Mills was 12 when she was cast by J. Lee Thompson, who was initially looking for a boy to play the lead role, in Tiger Bay (1959) which co-starred her father. The movie was popular at the box office in Britain.[3][4]
Disney
Bill Anderson, one of Walt Disney's producers, saw Tiger Bay and suggested that Mills be given the lead role in Pollyanna (1960).[5] The role of the orphaned "glad girl" who moves in with her aunt catapulted her to stardom in the United States and earned her a special Academy Award of Juvenile Oscar, the last person to win the accolade. Because she could not be present to receive the trophy, Annette Funicello accepted it on her behalf.[6] Disney subsequently cast Mills as twins Sharon and Susan who reunite their divorced parents in The Parent Trap (1961). In the film, she sings "Let's Get Together" as a duet with herself. The song was a hit around the world, reaching number 8 in the US.[7]
Mills received an offer to make a film in Britain for Bryan Forbes, Whistle Down the Wind (1961), based on a novel by her mother Mary Hayley Bell, about some children who believe an escaped convict is Jesus. It was a hit at the British box office and she was voted the biggest star in Britain for 1961.[8][9] Mills was offered the title role in Lolita by Stanley Kubrick, but her father turned it down. "I wish I had done it", she said in 1962. "It was a smashing film."[10] Mills returned to Disney for an adventure film, In Search of the Castaways (1962), based on a novel by Jules Verne. It was another popular success, and she was voted the fifth biggest star in the country for the next two years.[11]
In 1963, Disney announced plans to film an adaptation of Dodie Smith's novel I Capture the Castle, with Mills in the role of Cassandra.[12] Disney ended up dropping the project, while still retaining film rights to the book, when the novelist and the selected screenwriter Sally Benson did not get along; Mills grew too old for the part before the project could be revived.[13] Her fourth movie for Disney did less well than her previous Disney films, but was still successful: Summer Magic (1963), a musical adaptation of the novel Mother Carey's Chickens. Ross Hunter hired her for a British-American production The Chalk Garden (1964), playing a girl who torments governess Deborah Kerr. Back at Disney she was in a film about jewel thieves, The Moon-Spinners (1964), getting her first on screen kiss from Peter McEnery.[14][15] Mills had a change of pace with Sky West and Crooked (1965), set in the world of gypsies, written by her mother and directed by her father,[16] but it was not commercially successful.[17]
In contrast, her last film with Disney, the comedy That Darn Cat! (also 1965), did very well at the box office.[18]

During her six-year run at Disney, Mills was arguably the most popular child actress of the era. Critics noted that America's favourite child star was, in fact, quite British and very ladylike. The success of "Let's Get Together" (which hit No. 8 on the Billboard Hot 100 singles chart, No. 17 in Britain, No. 1 in Mexico, and No. 29 in Canada[19]) also led to the release of a record album on Disney's Buena Vista label, Let's Get Together with Hayley Mills, which also included another hit song, "Johnny Jingo" (Billboard No. 21, 1962; Canada No. 19[20]). In 1962, British exhibitors voted her the most popular film actress in the country.[21] A third single, "Castaway", reached No. 14 in Canada.[22]
In Forever Young: A Memoir,[23] among other topics, she reveals high points from her early career, as well as struggles with self-esteem[24] and an eating disorder. Describing how she turned down roles that "undermined the Disney image" such as Doctor Doolittle and Stanley Kubrick's Lolita, she wrote that "I think by being under contract to Walt Disney, as much as I really appreciated the opportunity it gave me, [and] the career it gave me, quite frankly, it hampered me from getting more different kinds of roles and eventually it also influenced how I felt about myself. I wasn't sure what I was capable of."[25] Ultimately, at age 20, she turned down a new Disney contract. She felt her character castings led to her "repeating herself" with the studio.[25] She also detailed, how at age 21, she lost most of her Disney fortune to a 90% tax rate implemented by the Inland Revenue in England. Her appeal to regain her funds was eventually shot down, with Mills admitting that at that time, she was worried about going the path of Judy Garland and becoming a "studio asset".[25]
Remove ads
Post-Disney film career
Summarize
Perspective
Following her departure from Disney, Mills continued her film career with a series of diverse roles. For Universal Pictures, she starred alongside her father, John Mills, in The Truth About Spring (1965), which also featured Disney regular James MacArthur. While the film achieved modest success, her next role in The Trouble with Angels (1966) proved to be a major box office hit. In the film, directed by Ida Lupino, Mills portrayed a mischievous student at a Catholic boarding school opposite Rosalind Russell.
That same year, she provided the voice of the Little Mermaid in the Rankin/Bass animated feature The Daydreamer (1966). Mills subsequently starred in The Family Way (1966), directed by Roy Boulting. The film, which explored the challenges of a newlywed couple, was noted for its mature themes and featured a musical score by Paul McCartney with arrangements by Beatles producer George Martin. During the production, Mills began a romantic relationship with Boulting; the two married in 1971.[26]
In 1967, Mills appeared in Pretty Polly, a romantic drama set in Singapore, opposite Indian film star Shashi Kapoor. She next starred in the psychological thriller Twisted Nerve (1968), reuniting with The Family Way co-star Hywel Bennett. The controversial film, directed by Boulting, attracted attention for its unsettling themes. She followed this with the romantic comedy Take a Girl Like You (1970), co-starring Oliver Reed, and made her West End stage debut in a 1970 production of The Wild Duck.[27]
Mills continued her collaboration with Boulting in Mr. Forbush and the Penguins (1971), stepping into the lead female role after the original actress was replaced during production.[28] In 1972, she again starred opposite Bennett in Endless Night, a mystery-thriller based on the novel by Agatha Christie, featuring Britt Ekland, George Sanders, and Per Oscarsson. Throughout the mid-1970s, Mills took on roles in several British and international productions, including What Changed Charley Farthing? (1974), Deadly Strangers, and The Kingfisher Caper (both 1975), the latter co-written by Boulting.[29]
Following The Kingfisher Caper, Mills significantly reduced her feature film work but continued to act in occasional roles over the ensuing decades. She appeared as Miss Quinton in the television adaptation Appointment with Death (1988), and as Sally Ryan in the horror anthology film After Midnight (1990). In 1994, she contributed her voice to the animated feature A Troll in Central Park, portraying the character Hillary.
In the 2000s, Mills took part in independent productions, including 2BPerfectlyHonest (2004), in which she played Terri, and the short film Stricken (2005), where she portrayed Hildy. She later appeared in the family adventureMandie and the Cherokee Treasure (2010) as Mary Elizabeth Taft, adapted from the Mandie book series, and in the drama Foster (also known as Angel in the House, 2011) as Mrs. Lange.
Mills continued to appear sporadically in film thereafter. In 2021, she played Celia Towers in the time-travel drama Last Train to Christmas, and in 2023, she portrayed Karen Walters in Arthur’s Whisky.
In 2024, Mills appeared in a major American theatrical release in a supporting role as FBI profiler Dr. Josephine Grant in M. Night Shyamalan's psychological thriller Trap. Her casting in the film was highlighted by Shyamalan and in media coverage as a notable and unexpected return for the actress. Trap marked Mills's first major role in a mainstream American film in nearly 60 years, following her performance in The Trouble with Angels (1966).[30]
Mills's post-Disney career was marked by a conscious shift toward more adult and diverse roles. As one critic observed, "She was a movie star for about a decade... a genuine, old-school, above-the-title movie star: listed in box-office polls, the focus of a carefully-protected public image, signatory to a long-term contract with a studio who would try to craft vehicles for her. In fact, you could make an argument that Hayley Mills was one of the last stars for whom that last factor applied, at least in English-speaking cinema".[31]
Remove ads
Television resurgence and reception
Summarize
Perspective
In 1981, Mills returned to acting with a starring role in the UK television mini-series The Flame Trees of Thika, based on Elspeth Huxley's memoir of her childhood in East Africa. The series was well received, prompting her to accept more acting roles.[citation needed] She then returned to America and made two appearances on The Love Boat in 1985, and an episode of Murder, She Wrote in 1986.[citation needed]
Always welcomed at Disney, Mills narrated an episode of The Wonderful World of Disney, sparking renewed interest in her Disney work. In 1985, she was originally considered to voice Princess Eilonwy in Disney's animated feature film The Black Cauldron, but was later replaced by the veteran British voice actress Susan Sheridan. Later, she reprised her roles as twins Sharon and Susan for a trio of Parent Trap television films: The Parent Trap II, Parent Trap III, and Parent Trap: Hawaiian Honeymoon. She also starred as the title character in the Disney Channel-produced television series Good Morning, Miss Bliss in 1987. The show was cancelled after 13 episodes and the rights were acquired by NBC, which reformatted Good Morning, Miss Bliss into Saved by the Bell without any further involvement from Mills. In recognition of her work with The Walt Disney Company, she was awarded the Disney Legends award in 1998.[32]
Mills recalled her childhood in the 2000 documentary film Sir John Mills' Moving Memories, which was directed by Marcus Dillistone and produced by her brother Jonathan.[citation needed] In 2005 she appeared in the acclaimed short film, Stricken, written and directed by Jayce Bartok.[citation needed] From 2007 to 2012, she appeared as Caroline in the ITV1 African vet drama Wild at Heart; her sister Juliet Mills was a guest star in the drama, which was the first time they had appeared on screen together.[33]
In 2010, Mills appeared in Mandie and the Cherokee Treasure, based on one of the popular Mandie novels of Lois Gladys Leppard. In 2011, she starred in the film Foster alongside Toni Collette. Mills guest-starred in episodes of Midsomer Murders and Moving On in 2014.[citation needed] In 2019, she had a role in the television series Pitching In set at a holiday park in Wales. In 2021, Mills played Michael Sheen's mother in the film Last Train to Christmas, and in 2022 she had a recurring role in the television thriller series Compulsion.[citation needed]
In February 2023 she appeared in the fifth series of the ITV crime drama Unforgotten as Lady Emma Hume.[34] In September 2023, Mills appeared in an episode of The Wheel of Time.[35]
Remove ads
Stage career
Summarize
Perspective
Mills made her stage debut in a 1969 West End revival of Peter Pan.[36][37]
In 1991 she appeared as Anna Leonowens in the Australian production of The King and I.[citation needed] In 1997, Mills starred in the U.S. national tour of Rodgers and Hammerstein's The King and I.[38]
In 2000 she made her Off-Broadway debut in Sir Noël Coward's Suite in Two Keys, opposite American actress Judith Ivey, for which she won a Theatre World Award.[citation needed] In 2001, Mills starred as Desiree Armfeldt in a production of "A Little Night Music" in Seattle, Washington. It was a co-production with the city's A Contemporary Theatre and the Fifth Avenue Theatre.[39][40]
In December 2007, for their annual birthday celebration of "The Master", The Noël Coward Society invited Mills as the guest celebrity to lay flowers in front of Coward's statue at New York's Gershwin Theatre, thereby commemorating the anniversary of the 108th birthday of Coward.[citation needed]
In 2012 she starred as Ursula Widdington in the stage production of Ladies in Lavender at the Royal & Derngate Theatre, before embarking on a national UK tour.[citation needed] In 2015, she toured Australia with sister Juliet Mills and Juliet's husband Maxwell Caulfield in the comedy Legends! by James Kirkwood.[41]
Mills starred in the 2018 Off-Broadway run of Isobel Mahon's Party Face at City Center.[42]
Remove ads
Personal life

In 1966, while filming The Family Way, 20-year-old Mills met 53-year-old director Roy Boulting. The two were married in 1971 and owned a flat in London's Chelsea and Cobstone Windmill in Ibstone, Buckinghamshire, which was later sold.[43] Their son, Crispian Mills, is the lead singer and guitarist for the raga rock band Kula Shaker. The couple divorced in 1977.[44]
Mills had a second son, Jason Lawson, born in July 1976,[45] during a relationship with actor Leigh Lawson.[46][47] She and Lawson split up in the early 1980s.[48]
In the 1980s, following her breakup with Lawson, Mills developed an interest in a number of Eastern religions.[48] She wrote the preface to the book The Hare Krishna Book of Vegetarian Cooking, published in 1984,[49] although she was not a member of Hare Krishna.[48] In 1988, Mills co-edited, with Marcus Maclaine, My God: Letters from the Famous on God and the Life Hereafter (Pelham Books, 1988).[1]
Mills's partner since 1997 and as of 2023 is actor/writer Firdous Bamji, who is 20 years her junior. They met when touring playing the lead roles in The King and I.[50][51][38]
Remove ads
Health
In April 2008, Mills was diagnosed with breast cancer. She had surgery and started, but quickly abandoned, chemotherapy after only three sessions because of the severity of the side effects. She credits her survival to the alternative treatments she used. She told Good Housekeeping magazine in January 2012 that she had fully recovered.[51]
Memoir
Mills published a memoir about her life and career, Forever Young: A Memoir, in September 2021.[23]
Filmography
Film
Television
Remove ads
Theatre
![]() | This section of a biography of a living person needs additional citations for verification. (August 2021) |
Remove ads
Awards and nominations
Remove ads
Let's Get Together with Hayley Mills
Let's Get Together with Hayley Mills, released in 1962, was Mills' only solo album. It had the million-selling song "Let's Get Together" and "Johnny Jingo".
- Side one
- "Jeepers Creepers" – 1:37
- "Green and Yellow Basket" – 1:59
- "Sentimental Sunday" – 2:04
- "Ding Ding Ding" – 2:18
- "Side by Side" – 1:36
- "Cranberry Bog" – 1:50
- Side two
- "Little Boy" – 2:19
- "Cobbler Cobbler" – 2:14
- "Johnny Jingo" – 1:38
- "Pollyanna Song" – 1:57
- "Jimmie Bean" – 1:53
- "Let's Get Together" – 1:29
References
Further reading
External links
Wikiwand - on
Seamless Wikipedia browsing. On steroids.
Remove ads