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San Francisco (1968 film)
1968 British film by Anthony Stern From Wikipedia, the free encyclopedia
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San Francisco is a 1968 impressionistic documentary short film directed by Anthony Stern.[1][2]
The film, cut to a version of "Interstellar Overdrive" as performed by Pink Floyd in 1966,[3] pioneered the use of 16mm single frame cinematography in the late 1960s.[citation needed]
The film was produced by the British Film Institute (BFI) and by Iris Sawyer, Jeremy Mitchell and Alan Callan.[4]
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Reception
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The Monthly Film Bulletin wrote: "Anthony Stern's film revives the 'city symphony', a genre as old as avant-garde film-making. The city images he chooses range from the banal (supermarkets, neon signs) and the tourist cliché to a specially staged pseudo-occult game involving a nude girl. However, the subject is no more than an excuse for a display of virtuoso technique, whose speed is presumably in response to the frenetic pace of city life – an observation neither novel nor especially relevant to San Francisco. Stern's photography is his main strength: fast motion or long clusters of single frames occasionally slowing to normal speed for a single image of a striking face or location. He also employs a technique familiar from his collaboration with Peter Whitehead on Tonite Let's All Make Love in London – the jerky re-animation of frozen frames; and the filmis edited to the same version of The Pink Floyd's 'Interstellar Overdrive' as used in Whitehead's film. Stern's techniques are here a means without an end; and even on its simplest level, as a fast coloured lightshow, the film lacks the wit and subtlety of such American antecedents as Ben van Meter's Up Tight, L.A. is Burning . . . Shit."[5]
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Accolades
The film won awards for cinematography at the 1969 Oberhausen Short Film Festival,[6] the 1969 Melbourne International Film Festival[7] and the Sydney Film Festival[citation needed].
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