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The Apple Cart

Play by George Bernard Shaw From Wikipedia, the free encyclopedia

The Apple Cart
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The Apple Cart: A Political Extravaganza is a 1928 play by Bernard Shaw. It is a satirical comedy about several political philosophies which are expounded by the characters, often in lengthy monologues. The plot follows the fictional English King Magnus as he spars with, and ultimately outwits, his Prime Minister, Proteus, and his cabinet, who seek to strip the monarchy of its remaining political influence. Magnus opposes the corporation "Breakages, Limited", which controls politicians and impedes technical progress. Shaw's preface describes the play as:

...a comedy in which a King defeats an attempt by his popularly elected Prime Minister to deprive him of the right to influence public opinion through the press and the platform: in short, to reduce him to a cipher. The King's reply is that rather than be a cipher he will abandon his throne and take his obviously very rosy chance of becoming a popularly elected Prime Minister himself.[1]

Quick facts Written by, Date premiered ...

The play was completed in December 1928 and first performed in Warsaw (in Polish) the following June. Its English première was at the first Malvern Drama Festival in August 1929.

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Background

Sir Barry Jackson, who had presented and directed the British premiere of Shaw's Back to Methuselah at the Birmingham Repertory Theatre in 1923, grew disillusioned with the commercial theatre, particularly that of the West End, and conceived the idea of founding an out-of-town theatre festival at Malvern, starting in 1928. Shaw was impressed by Jackson's plan and promised that if the Malvern Festival was set up, he would write a new play for it.[2] Having written nothing for the theatre since Saint Joan in 1923, Shaw worried that he might have exhausted his creative powers, but an idea for a new play came to him and, his biographer Michael Holroyd records, he "wrote it with extraordinary ease and swiftness ... In less than eight weeks he had a complete play".[3]

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Characters

  • Pamphilius – The King's private secretary
  • Sempronius – The King's private secretary
  • Bill Boanerges – President of the Board of Trade
  • King Magnus
  • Orinthia – The King's mistress
  • Alice – Princess Royal
  • Joe Proteus – Prime Minister
  • Pliny – Chancellor of the Exchequer
  • Nicobar – Foreign Secretary
  • Crassus – Colonial Secretary
  • Balbus – Home Secretary
  • Amanda – Postmistress General
  • Lysistrata – Powermistress General
  • Vanhattan – American ambassador
  • Queen Jemima

Shaw based King Magnus largely on himself. He modelled the enigmatic and pivotal character Orinthia, the King's mistress, on Mrs Patrick Campbell, the actress who had created the role of Eliza Doolittle in Shaw's Pygmalion.[4]

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Productions

More information Characters, Malvern, 1929 ...
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Reception

The play was enthusiastically received. St John Ervine wrote:

How can I hope to put in a column and a half a fair measure of the brains that are in it? To produce such a piece of high farce, fantastic wisdom, high discourse, at the age of seventy-three, is a feat of which men half the age of Mr Shaw might be envious.[16]

Desmond MacCarthy quoted other reviewers: "Let me say this is one of the most brilliant plays Bernard Shaw has written", and "To-day was a great event in the history of the English theatre".[16] MacCarthy wrote in 1929 that although the characters are caricatures they are recognisably true to life:

King Magnus, unpretentious, subtle and selfless, is not only a real human being, but a creation of Mr Shaw’s moral insight, which is a much more remarkable gift than his faculty for hitting off types. It is that gift which makes him the superb dramatist he is.[17]

In MacCarthy's analysis greatness of mind is not necessarily imposing or magnetic, and in a quiet and unselfish way Magnus shows up the inadequacies of Proteus and his cabinet.[17]

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Adaptations

The play has been adapted for broadcasting, both on radio and on television. BBC radio transmitted a version in January 1947 with Ralph Truman as Magnus, Esmé Percy as Proteus and Margaret Rawlings as Orinthia. [18] A version that omitted the Interlude between Magnus and Orinthia was broadcast in August 1952 with Peter Coke as the King and Ivan Samson as Proteus.[19] A 1980 adaptation featured Peter Barkworth as Magnus, Nigel Stock as Proteus, Elizabeth Spriggs as Lysistrata, Dilys Laye as Amanda and Prunella Scales as Orinthia.[20]

The first version of the play on British television was broadcast by the BBC in July 1957, with Jack Hawkins as Magnus, Willoughby Goddard as Proteus and Moira Lister as Orinthia, in a cast that also featured Hugh Sinclair, George Howe, William Mervyn, Angela Baddeley and Margaret Rawlings.[21] In a BBC television version in 1975, Nigel Davenport played Magnus, Peter Barkworth Proteus, Bill Fraser Boanerges and Helen Mirren Orinthia.[22]

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Notes and references

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