Sarah Oppenheimer
American visual artist / From Wikipedia, the free encyclopedia
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Sarah Oppenheimer (born 1972, in Austin, Texas)[1] is a New York City-based artist whose projects explore the articulations and experience of built space.[2][3][4] Her work involves precise transformations of architecture that disrupt, subvert or shuffle visitors' visual and bodily experience.[5][6][7] Artforum critic Jeffrey Kastner wrote that Oppenheimer's artworks "typically induce a certain kind of vaguely vertiginous, almost giddy uncertainty" that over time turns "indeterminacies of apprehension into epistemological uncertainties, epistemic puzzlement into ontological perplexity."[7]
Sarah Oppenheimer | |
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Born | 1972 Austin, Texas, United States |
Nationality | American |
Education | Yale University, Brown University |
Known for | Installation art, sculpture |
Awards | Guggenheim Fellowship, Joan Mitchell Foundation, Louis Comfort Tiffany Foundation, Anonymous Was A Woman Award, American Academy of Arts and Letters |
Website | Sarah Oppenheimer |
Oppenheimer's work has been exhibited internationally at venues including Mudam (Luxembourg),[8] Wexner Center for the Arts,[9] Mass MoCA,[10] Kunstmuseum Thun (Switzerland),[11] and Baltimore Museum of Art.[2] She has received a Guggenheim Fellowship,[12] the Rome Prize,[13] and awards from the Joan Mitchell, Louis Comfort Tiffany and Anonymous Was A Woman foundations, among others.[14][15][16]