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List of Academy Award winners and nominees for Best International Feature Film

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List of Academy Award winners and nominees for Best International Feature Film
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The Academy Award for Best International Feature Film (formerly known as Best Foreign Language Film prior to 2020) is handed out annually by the U.S.-based Academy of Motion Picture Arts and Sciences to a feature-length motion picture produced outside the United States of America with a predominantly non-English dialogue track.[1]

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National origin of Academy Award winners and nominees for Best International Feature Film (as of 2025)
  Won the award
  Nominated for the award
  United States (ineligible for competition)

When the first Academy Awards ceremony was held on May 16, 1929, to honor films released in 1927–28, there was no separate category for foreign language films. Between 1947 and 1955, the Academy presented Special/Honorary Awards to the best foreign language films released in the United States.[2] These awards, however, were not handed out on a regular basis (no award was given in 1953), and were not competitive since there were no nominees but simply one winning film per year. For the 1956 Academy Awards, a competitive Academy Award of Merit, known as the Best Foreign Language Film Award, was created for non-English speaking films, and has been given annually since then.

Unlike other Academy Awards, the Best International Feature Film Award is not presented to a specific individual. It is accepted by the winning film's director,[1] but is considered an award for the submitting country as a whole. As of 2014, the Academy changed its rules so that the name of the director is etched onto the Oscar statuette, in addition to the film's country.[3] The director also gets to keep the statuette.

Over the years, the Best International Feature Film and its predecessors have been given almost exclusively to European films: out of the 74 awards handed out by the Academy since 1947 to foreign language films, fifty-seven have gone to European films,[A] nine to Asian films,[B] five to films from the Americas and three to African films. The late Italian filmmaker Federico Fellini directed four winning motion pictures during his lifetime, more than any other director. If Special Awards are taken into account, then Fellini's record is tied by his countryman Vittorio De Sica. The Soviet epic War and Peace (1966–67), for its part, is the longest motion picture to have won the Best Foreign Language Film Award. Filmed from 1962 to 1966, it ran for more than seven hours.[4]

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Winners and nominees

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In the following table, the years are listed as per Academy convention, and generally correspond to the year of film release; the ceremonies are always held the following year. Films in bold and dark blue background have received an Academy Award; winning films from 1947 to 1955 won a Special/Honorary Award as denoted in the key, while all other winning films won a regular Academy Award of Merit. Films that are neither highlighted nor in bold are the nominees. When sorted chronologically, the table always lists the winning film first and then the four other nominees.

The Submitting country column indicates the country that officially submitted the film to the Academy, and is not necessarily indicative of the film's main country of production. The original titles of the films are also mentioned, as well as the names of the directors and the languages used in the dialogue track, even though none of these elements is officially included in the nomination.

When several languages are used in a film, the predominant one is always listed first; the names of the other languages are written in smaller typesize and placed between brackets. When a film's original title is in a language that uses a non-Latin script, it is first transliterated into the Latin alphabet and then written in its original script.

Films from the former Yugoslavia are written in both Latin and Cyrillic due to the fact that the previously official Serbo-Croatian language used both alphabets. Chinese film titles are romanized according to the pinyin system, and are written using the characters employed in their submitting country, i.e. traditional Chinese ones for films submitted by Hong Kong and Taiwan, and simplified Chinese ones for films submitted by the People's Republic of China.

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Vittorio De Sica directed four of the winners: Shoe-Shine, Bicycle Thieves, Yesterday, Today and Tomorrow and The Garden of the Finzi Continis
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Akira Kurosawa directed two of the winners: Rashomon (1950) and Dersu Uzala (1975)
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René Clément directed: The Walls of Malapaga (1949) and Forbidden Games (1952)
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Teinosuke Kinugasa directed the winner Gate of Hell (1954)
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Hiroshi Inagaki directed the winner Samurai, The Legend of Musashi (1955)
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Federico Fellini directed four of the winners: La Strada (1956), Nights of Cabiria (1957), (1963) and Amarcord (1973)
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Jacques Tati directed the winner, Mon Oncle (1958)
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Ingmar Bergman directed three of the winners: The Virgin Spring (1960), Through a Glass Darkly (1961) and Fanny and Alexander (1982).
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Claude Lelouch directed the winner A Man and a Woman (1966).
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Sergei Bondarchuk directed the winner War and Peace (1968).
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Costa-Gavras directed the winner Z (1969)
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Luis Buñuel directed the winner The Discreet Charm of the Bourgeoisie (1973)
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François Truffaut directed the winner Day for Night (1973)
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Jean-Jacques Annaud directed the winner Black and White in Color (1976)
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Bertrand Blier directed the winner Get Out Your Handkerchiefs (1978)
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Volker Schlöndorff directed the winner The Tin Drum (1979).
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Vladimir Menshov directed the winner Moscow Does Not Believe in Tears (1980).
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István Szabó directed the winner Mephisto (1981).
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Luis Puenzo directed the winner The Official Story (1985).
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Fons Rademakers directed the winner The Assault (1986).
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Gabriel Axel directed the winner Babette's Feast (1987).
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Bille August directed the winner Pelle the Conqueror (1988).
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Giuseppe Tornatore directed the winner Cinema Paradiso (1989).
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Gabriele Salvatores directed the winner Mediterraneo (1991).
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Fernando Trueba directed the winner Belle Époque (1993).
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Nikita Mikhalkov directed the winner Burnt by the Sun (1994).
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Marleen Gorris directed Antonia's Line (1995).[a]
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Roberto Benigni directed the winner Life Is Beautiful (1998)[b]
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Pedro Almodóvar directed the winner All About My Mother (1999).
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Ang Lee directed the winner Crouching Tiger, Hidden Dragon (2000).
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Caroline Link directed the winner Nowhere in Africa (2002).
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Alejandro Amenábar directed the winner for The Sea Inside (2004).
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Gavin Hood directed the winner Tsotsi (2005).
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Juan José Campanella directed the winner The Secret in Their Eyes (2009).
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Susanne Bier directed the winner In a Better World (2010).
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Asghar Farhadi directed two films which won this category: A Separation (2011) and The Salesman (2016).
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Michael Haneke directed the winner Amour (2012).
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Paolo Sorrentino directed the winner The Great Beauty (2013).
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Paweł Pawlikowski directed the winner Ida (2014).
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Alfonso Cuarón directed the winner Roma (2018).
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Bong Joon Ho directed the winner Parasite (2019).
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Ryusuke Hamaguchi directed the winner Drive My Car (2021).
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Edward Berger directed the winner All Quiet on the Western Front (2022).
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Jonathan Glazer directed the winner The Zone of Interest (2023).
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Walter Salles directed the winner I'm Still Here (2024).
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1940s

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1950s

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1960s

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1970s

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1980s

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1990s

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2000s

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2010s

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2020s

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Age superlatives

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Multiple wins and nominations

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Multiple wins

Six directors have won the award more than once.

Multiple nominations

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Shortlisted finalists

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Since the 79th Academy Awards (2006),[6] a nine-film shortlist has been announced before the nominations, which then has been reduced to the five official nominees. The shortlist was expanded from nine to ten at the 92nd Academy Awards (2019), and from ten to fifteen at the 93rd Academy Awards (2020).

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See also

Notes

A^ : Europe's tally includes three awards won by the Soviet Union and an award won by Russia. It also includes five Special/Honorary Awards: two won by Italy, two won by France and one shared between them for The Walls of Malapaga (1949).[25]
B^ : Japan's four-award tally includes three Honorary Awards.[25]
C^ : Shoe-Shine (1946) won a Special Award because "the high quality of this motion picture, brought to eloquent life in a country scarred by war, is proof to the world that the creative spirit can triumph over adversity".[26]
D^ : Monsieur Vincent (1947) won a Special Foreign Language Film Award. It was voted by the Academy Board of Governors as the most outstanding foreign language film released in the United States during 1948.[26]
E^ : Bicycle Thieves (1948) won a Special Foreign Language Film Award. It was voted by the Academy Board of Governors as the most outstanding foreign language film released in the United States during 1949.[26]
F^ : The Walls of Malapaga (1949) won an Honorary Foreign Language Film Award. It was voted by the Board of Governors as the most outstanding foreign language film released in the United States in 1950.[26]
G^ : Rashomon (1950) won an Honorary Foreign Language Film Award. It was voted by the Board of Governors as the most outstanding foreign language film released in the United States during 1951.[26]
H^ : Forbidden Games (1952) won an Honorary Foreign Language Film Award. It was named Best Foreign Language Film first released in the United States during 1952.[26]
I^ : Gate of Hell (1953) won an Honorary Foreign Language Film Award. It was named Best Foreign Language Film first released in the United States during 1954.[26]
J^ : Samurai, The Legend of Musashi (1954) won an Honorary Foreign Language Film Award. It was named Best Foreign Language Film first released in the United States during 1955.[26]
K1 2 3 4 5 : For the 29th Academy Awards, the names of the producers were included in the nominations for the Foreign Language Film category. Dino De Laurentiis and Carlo Ponti won the award for La Strada (1954). Gyula Trebitsch and Walter Koppel were nominated for The Captain of Köpenick (1956), Annie Dorfmann for Gervaise (1956), Masayuki Takagi for Harp of Burma (1956), and O. Dalsgaard-Olsen for Qivitoq (1956).[27]
L^ : The film received its 1969 nomination under the title My Night with Maud. It had no U.S. distributor at the time. When it was released in Los Angeles on April 15, 1970, it became eligible for consideration for Academy Awards in other categories, and received a 1970 nomination for Writing under the title My Night at Maud's. Today, the latter title is the most commonly used when referring to the film in the English-speaking world.[27]
M^ : Originally released under the title La Victoire en chantant, the film was reissued in France under the title Noirs et Blancs en couleur (a literal French translation of its English title Black and White in Color) following its 1976 Academy Award win.[28]
N^ : Although films produced inside the United States are not eligible for consideration for the Best Foreign Language Film Award,[1] those produced in U.S. overseas possessions were eligible at the time. Puerto Rico, an unincorporated territory of the United States, was thus able to receive a nomination for What Happened to Santiago (1989).[29] However, this rule was changed in 2011 barring Puerto Rican submissions.[30]
O^ : This is not an official nomination. After the nominations were announced, information came to light that showed this film was wholly produced in Argentina, and had insufficient Uruguayan artistic control. The film was declared ineligible and removed from the final ballot.[31]
P^ : Paradise Now (2005) was initially nominated as a submission from Palestine and presented as such on the "official Academy website". Archived from the original on April 9, 2006. Retrieved February 11, 2008.{{cite web}}: CS1 maint: bot: original URL status unknown (link) However, following protests from pro-Israeli groups in the United States, the Academy decided to designate it as a submission from the Palestinian Authority, a move that was decried by the film's director Hany Abu-Assad. During the awards ceremony, the film was eventually announced by presenter Will Smith as a submission from the Palestinian Territories.
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    References

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