Portal:Russia

Count Nikita Moiseevich Zotov (Russian: Никита Моисеевич Зотов, tr. Nikita Moiseyevich Zotov, IPA: [nʲ'kʲta moɨ'sʲɛɪvʲɪt͡ɕ 'zotv] ^ⓘ) (1644 – December 1717) was a childhood tutor and lifelong friend of Russian Tsar Peter the Great. Historians disagree on the quality of Zotov's tutoring. Robert K. Massie, for example, praises his efforts, but Lindsey Hughes criticizes the education that he gave to the future tsar.

Not much is known about Zotov's life aside from his connection to Peter. Zotov left Moscow for a diplomatic mission to Crimea in 1680 and returned to Moscow before 1683. He became part of the "Jolly Company", a group of several dozen of Peter's friends that eventually became The All-Joking, All-Drunken Synod of Fools and Jesters. Zotov was mockingly appointed "Prince-Pope" of the Synod, and regularly led them in games and celebrations. He accompanied Peter on many important occasions, such as the Azov campaigns and the torture of the Streltsy after their uprising. Zotov held a number of state posts, including from 1701 a leading position in the Tsar's personal secretariat. Three years before his death, Zotov married a woman 50 years his junior. He died in December 1717 of unknown causes. (Full article...)

The "State Anthem of the Russian Federation" is the national anthem of Russia. It uses the same melody as the "State Anthem of the Soviet Union", composed by Alexander Alexandrov, and new lyrics by Sergey Mikhalkov, who had collaborated with Gabriel El-Registan on the original anthem. From 1944, that earliest version replaced "The Internationale" as a new, more Soviet-centric and Russia-centric Soviet anthem. The same melody, but without any lyrics, was used after 1956. A second version of the lyrics was written by Mikhalkov in 1970 and adopted in 1977, placing less emphasis on World War II and more on the victory of communism, and without mentioning Joseph Stalin by name.

The Russian SFSR was the only constituent republic of the Soviet Union without its own regional anthem, instead using the National Anthem of the Soviet Union. The lyric-free "Patrioticheskaya Pesnya", composed by Mikhail Glinka, was officially adopted in 1990 by the Supreme Soviet of Russia, and confirmed in 1993, after the dissolution of the Soviet Union, by the President of the Russian Federation, Boris Yeltsin. This anthem proved to be unpopular with the Russian public and with many politicians and public figures, because of its tune and lack of lyrics, and consequently its inability to inspire Russian athletes during international competitions. The government sponsored contests to create lyrics for the unpopular anthem, but none of the entries were adopted. (Full article...)

The Peresvet class was a group of three pre-dreadnought battleships built for the Imperial Russian Navy around the end of the 19th century. Peresvet and Pobeda were transferred to the Pacific Squadron upon completion and based at Port Arthur from 1901 and 1903, respectively. All three ships were lost by the Russians in the Russo-Japanese War of 1904–05; Peresvet and Pobeda participated in the Battles of Port Arthur and the Yellow Sea and were sunk during the siege of Port Arthur. Oslyabya, the third ship, sailed to the Far East with the Second Pacific Squadron to relieve the Russian forces blockaded in Port Arthur and was sunk at the Battle of Tsushima with the loss of over half her crew.

Peresvet and Pobeda were salvaged after the Japanese captured Port Arthur and incorporated into the Imperial Japanese Navy. Peresvet was sold back to the Russians during World War I, as the two countries were by now allies, and sank after hitting German mines in the Mediterranean in early 1917 while Pobeda, renamed Suwo, remained instead in Japanese service and participated in the Battle of Tsingtao in late 1914. She became a gunnery training ship in 1917. The ship was disarmed in 1922 to comply with the terms of the Washington Naval Treaty and probably scrapped around that time. (Full article...)

The Cathedral of the Immaculate Conception of the Holy Virgin Mary is a neo-Gothic Catholic Church at Moscow's center, that serves as the cathedral of the Archdiocese of Moscow. Located in the Central Administrative Okrug, it is one of three Catholic churches in Moscow and the largest in Russia.

The construction of the cathedral was approved in 1894 by the Ministry of Internal Affairs of the Russian Empire. Groundbreaking was in 1899; construction work began in 1901 and was completed ten years later. Three-aisled and built from red brick, the cathedral is based on a design by architect Tomasz Bohdanowicz-Dworzecki. The style was influenced by Westminster Abbey and Milan Cathedral. With the help of funds from Catholic parishes in Russia and its neighbouring states, the church was consecrated as a chapel for Moscow's Polish parish in 1911. In the aftermath of the Russian Revolution in 1917, the Provisional Government was overthrown by the Bolsheviks and Russia eventually became part of the Soviet Union in 1922. Because the promotion of state atheism was a part of Marxist–Leninist ideology, the government ordered many churches closed; the cathedral was closed in 1938. During World War II, it was threatened with demolition, and was used after the war for civil purposes, as a warehouse and then a hostel. Following the fall of communism in 1991, it returned to being a church in 1996. In 2002 it was elevated to the status of cathedral. Following an extensive and costly programme of reconstruction and refurbishment, the cathedral was reconsecrated in 2005. (Full article...)

Nihonium is a synthetic chemical element with the symbol Nh and atomic number 113. It is extremely radioactive; its most stable known isotope, nihonium-286, has a half-life of about 10 seconds. In the periodic table, nihonium is a transactinide element in the p-block. It is a member of period 7 and group 13.

Nihonium was first reported to have been created in 2003 by a Russian–American collaboration at the Joint Institute for Nuclear Research (JINR) in Dubna, Russia, and in 2004 by a team of Japanese scientists at Riken in Wakō, Japan. The confirmation of their claims in the ensuing years involved independent teams of scientists working in the United States, Germany, Sweden, and China, as well as the original claimants in Russia and Japan. In 2015, the IUPAC/IUPAP Joint Working Party recognised the element and assigned the priority of the discovery and naming rights for the element to Riken. The Riken team suggested the name nihonium in 2016, which was approved in the same year. The name comes from the common Japanese name for Japan (日本, nihon). (Full article...)

Oganesson is a synthetic chemical element with the symbol Og and atomic number 118. It was first synthesized in 2002 at the Joint Institute for Nuclear Research (JINR) in Dubna, near Moscow, Russia, by a joint team of Russian and American scientists. In December 2015, it was recognized as one of four new elements by the Joint Working Party of the international scientific bodies IUPAC and IUPAP. It was formally named on 28 November 2016. The name honors the nuclear physicist Yuri Oganessian, who played a leading role in the discovery of the heaviest elements in the periodic table. It is one of only two elements named after a person who was alive at the time of naming, the other being seaborgium, and the only element whose eponym is alive .

Oganesson has the highest atomic number and highest atomic mass of all known elements. The radioactive oganesson atom is very unstable, and since 2005, only five (possibly six) atoms of the isotope oganesson-294 have been detected. Although this allowed very little experimental characterization of its properties and possible compounds, theoretical calculations have resulted in many predictions, including some surprising ones. For example, although oganesson is a member of group 18 (the noble gases) – the first synthetic element to be so – it may be significantly reactive, unlike all the other elements of that group. It was formerly thought to be a gas under normal conditions but is now predicted to be a solid due to relativistic effects. On the periodic table of the elements it is a p-block element and the last one of period 7. (Full article...)

Dubnium is a synthetic chemical element with the symbol Db and atomic number 105. It is highly radioactive: the most stable known isotope, dubnium-268, has a half-life of about 16 hours. This greatly limits extended research on the element.

Dubnium does not occur naturally on Earth and is produced artificially. The Soviet Joint Institute for Nuclear Research (JINR) claimed the first discovery of the element in 1968, followed by the American Lawrence Berkeley Laboratory in 1970. Both teams proposed their names for the new element and used them without formal approval. The long-standing dispute was resolved in 1993 by an official investigation of the discovery claims by the Transfermium Working Group, formed by the International Union of Pure and Applied Chemistry and the International Union of Pure and Applied Physics, resulting in credit for the discovery being officially shared between both teams. The element was formally named dubnium in 1997 after the town of Dubna, the site of the JINR. (Full article...)

William Feiner SJ (born Wilhelm Feiner; December 27, 1792 – June 9, 1829) was a German Catholic priest and Jesuit who became a missionary to the United States and eventually the president of Georgetown College, now known as Georgetown University.

Born in Münster, he taught in Jesuit schools in the Russian Empire and Polish Galicia as a young member of the Society of Jesus. He then emigrated to the United States several years after the restoration of the Society, taking up pastoral work and teaching theology in Conewago, Pennsylvania, before becoming a full-time professor at Georgetown College. There, he also became the second dedicated librarian of Georgetown's library. Eventually, Feiner became president of the college in 1826. While president, he taught theology at Georgetown and ministered to the congregation at Holy Trinity Church. (Full article...)

Rostislav was a pre-dreadnought battleship built by the Nikolaev Admiralty Shipyard in the 1890s for the Black Sea Fleet of the Imperial Russian Navy. She was conceived as a small, inexpensive coastal defence ship, but the Navy abandoned the concept in favor of a compact, seagoing battleship with a displacement of 8,880 long tons (9,020 t). Poor design and construction practices increased her actual displacement by more than 1,600 long tons (1,600 t). Rostislav became the world's first capital ship to burn fuel oil, rather than coal. Her combat ability was compromised by the use of 10-inch (254 mm) main guns instead of the de facto Russian standard of 12 inches (305 mm).

Her hull was launched in September 1896, but non-delivery of the ship's main guns delayed her maiden voyage until 1899 and her completion until 1900. In May 1899 Rostislav became the first ship of the Imperial Navy to be commanded by a member of the House of Romanov, Captain Alexander Mikhailovich. From 1903 to 1912 the ship was the flagship of the second-in-command of the Black Sea Fleet. During the 1905 Russian Revolution her crew was on the verge of mutiny, but ultimately remained loyal to the regime, and actively suppressed the mutiny of the cruiser Ochakov. (Full article...)

Fridtjof Wedel-Jarlsberg Nansen (Norwegian: [ˈfrɪ̂tːjɔf ˈnɑ̀nsn̩]; 10 October 1861 – 13 May 1930) was a Norwegian polymath and Nobel Peace Prize laureate. He gained prominence at various points in his life as an explorer, scientist, diplomat and humanitarian.

He led the team that made the first crossing of the Greenland interior in 1888, traversing the island on cross-country skis. He won international fame after reaching a record northern latitude of 86°14′ during his Fram expedition of 1893–1896. Although he retired from exploration after his return to Norway, his techniques of polar travel and his innovations in equipment and clothing influenced a generation of subsequent Arctic and Antarctic expeditions. (Full article...)

In mid- to late-19th-century Russia, Pyotr Ilyich Tchaikovsky and a group of composers known as The Five had differing opinions as to whether Russian classical music should be composed following Western or native practices. Tchaikovsky wanted to write professional compositions of such quality that they would stand up to Western scrutiny and thus transcend national barriers, yet remain distinctively Russian in melody, rhythm and other compositional characteristics. The Five, made up of composers Mily Balakirev, Alexander Borodin, César Cui, Modest Mussorgsky, and Nikolai Rimsky-Korsakov, sought to produce a specifically Russian kind of art music, rather than one that imitated older European music or relied on European-style conservatory training. While Tchaikovsky himself used folk songs in some of his works, for the most part he tried to follow Western practices of composition, especially in terms of tonality and tonal progression. Also, unlike Tchaikovsky, none of The Five were academically trained in composition; in fact, their leader, Balakirev, considered academicism a threat to musical imagination. Along with critic Vladimir Stasov, who supported The Five, Balakirev attacked relentlessly both the Saint Petersburg Conservatory, from which Tchaikovsky had graduated, and its founder Anton Rubinstein, orally and in print.

As Tchaikovsky had become Rubinstein's best-known student, he was initially considered by association as a natural target for attack, especially as fodder for Cui's printed critical reviews. This attitude changed slightly when Rubinstein left the Saint Petersburg musical scene in 1867. In 1869 Tchaikovsky entered into a working relationship with Balakirev; the result was Tchaikovsky's first recognized masterpiece, the fantasy-overture Romeo and Juliet, a work which The Five wholeheartedly embraced. When Tchaikovsky wrote a positive review of Rimsky-Korsakov's Fantasy on Serbian Themes he was welcomed into the circle, despite concerns about the academic nature of his musical background. The finale of his Second Symphony, nicknamed the Little Russian, was also received enthusiastically by the group on its first performance in 1872. (Full article...)

During the Khrushchev era, especially from 1956 through 1962, the Soviet Union attempted to implement major wage reforms intended to move Soviet industrial workers away from the mindset of overfulfilling quotas that had characterised the Soviet economy during the preceding Stalinist period and toward a more efficient financial incentive.

Throughout the Stalinist period, most Soviet workers had been paid for their work based on a piece-rate system. Thus their individual wages were directly tied to the amount of work they produced. This policy was intended to encourage workers to toil and therefore increase production as much as possible. The piece-rate system led to the growth of bureaucracy and contributed to significant inefficiencies in Soviet industry. In addition, factory managers frequently manipulated the personal production quotas given to workers to prevent workers' wages from falling too low. (Full article...)

Grand Duchess Olga Nikolaevna of Russia (Olga Nikolaevna Romanova; Russian: Великая Княжна Ольга Николаевна, tr. Velikaya Knyazhna Ol'ga Nikolaevna, IPA: [vʲɪˈlʲikəjə knʲɪˈʐna ˈolʲɡə nʲɪkɐˈla(j)ɪvnə] ^ⓘ; 15 November [O.S. 3 November] 1895 – 17 July 1918) was the eldest child of the last Tsar of the Russian Empire, Emperor Nicholas II, and of Empress Alexandra of Russia.

During her lifetime, Olga's future marriage was the subject of great speculation within Russia. Matches were rumored with Grand Duke Dmitri Pavlovich of Russia, Crown Prince Carol of Romania, Edward, Prince of Wales, eldest son of Britain's George V, and with Crown Prince Alexander of Serbia. Olga herself wanted to marry a Russian and remain in her home country. During World War I, she nursed wounded soldiers in a military hospital until her own nerves gave out and, thereafter, oversaw administrative duties at the hospital. (Full article...)

The black stork (Ciconia nigra) is a large bird in the stork family Ciconiidae. It was first described by Carl Linnaeus in the 10th edition of his Systema Naturae. Measuring on average 95 to 100 cm (37 to 39 in) from beak tip to end of tail with a 145-to-155 cm (57-to-61 in) wingspan, the adult black stork has mainly black plumage, with white underparts, long red legs and a long pointed red beak. A widespread but uncommon species, it breeds in scattered locations across Europe (predominantly in Portugal and Spain, and central and eastern parts), and east across the Palearctic to the Pacific Ocean. It is a long-distance migrant, with European populations wintering in tropical Sub-Saharan Africa, and Asian populations in the Indian subcontinent. When migrating between Europe and Africa, it avoids crossing broad expanses of the Mediterranean Sea and detours via the Levant in the east, the Strait of Sicily in the center, or the Strait of Gibraltar in the west. An isolated, non-migratory, population occurs in Southern Africa.

Unlike the closely related white stork, the black stork is a shy and wary species. It is seen singly or in pairs, usually in marshy areas, rivers or inland waters. It feeds on amphibians, small fish and insects, generally wading slowly in shallow water stalking its prey. Breeding pairs usually build nests in large forest trees—most commonly deciduous but also coniferous—which can be seen from long distances, as well as on large boulders, or under overhanging ledges in mountainous areas. The female lays two to five greyish-white eggs, which become soiled over time in the nest. Incubation takes 32 to 38 days, with both sexes sharing duties, and fledging takes 60 to 71 days. (Full article...)

Pyotr Ilyich Tchaikovsky's relations with the group of composers known as the Belyayev circle, which lasted from 1887 until Tchaikovsky's death in 1893, influenced all of their music and briefly helped shape the next generation of Russian composers. This group was named after timber merchant Mitrofan Belyayev, an amateur musician who became an influential music patron and publisher after he had taken an interest in Alexander Glazunov's work. By 1887, Tchaikovsky was firmly established as one of the leading composers in Russia. A favorite of Tsar Alexander III, he was widely regarded as a national treasure. He was in demand as a guest conductor in Russia and Western Europe, and in 1890 visited the United States in the same capacity. By contrast, the fortunes of the nationalistic group of composers known as The Five, which preceded the Belyayev circle, had waned, and the group had long since dispersed; of its members, only Nikolai Rimsky-Korsakov remained fully active as a composer. Now a professor of musical composition and orchestration at the Saint Petersburg Conservatory, Rimsky-Korsakov had become a firm believer in the Western-based compositional training that had been once frowned upon by the group.

As a result of the time Tchaikovsky spent with the Belyayev circle's leading composers—Glazunov, Anatoly Lyadov and Rimsky-Korsakov—the somewhat fraught relationship he had previously endured with The Five would eventually meld into something more harmonious. Tchaikovsky's friendship with these men gave him increased confidence in his own abilities as a composer, while his music encouraged Glazunov to broaden his artistic outlook past the nationalist agenda and to compose along more universal themes. This influence grew to the point that Glazunov's Third Symphony became known as the "anti-kuchist" symphony of his ouvre ("kuchist" refers to "kuchka", the shortened Russian name for The Five) and shared several stylistic fingerprints with Tchaikovsky's later symphonies. Nor was Glazunov the only composer so influenced. Rimsky-Korsakov wrote about the Belyayev composers' "worship of Tchaikovsky and ... tendency toward eclecticism" that became prevalent during this period, along with a predilection toward "Italian-French music of the time of wig and farthingale" (that is, of the 18th Century) typified in Tchaikovsky's late operas The Queen of Spades and Iolanta. (Full article...)